Earning an MFA in writing at the New School, working at Rolling Stone magazine, and being courted by an editor at a prestigious publishing house--Afarin Majidi should be thrilled with the direction her life is taking as she turns thirty. Instead, she is spiraling into the depths of madness as she seeks love and acceptance in an Islamophobic society. After colleagues at the magazine drug and rape her, she's left with an unfinished novel. She turns to a former professor, James Lasdun, with whom she develops a toxic obsession. Majidi is the woman he calls "Nasreen" in his memoir, Give Me Everything You Have. Raw and honest, Writing and Madness in a Time of Terror is a haunting meditation on identity, misogyny, violence, and mental illness. Majidi earned her BA from Barnard College and an MFA from New School University. She is the niece of Abdol-Madgid Madgidi, a prominent cabinet member during the Shah of Iran's reign. Writing and Madness in a Time of Terror begins with her family's narrow escape from execution during the 1979 Islamic Revolution in Iran.

A true story of obsessive love turning to obsessive hate in the crucible of the digital age. Give Me Everything You Have chronicles author James Lasdun's strange and harrowing ordeal at the hands of a former student, a self-styled "verbal terrorist," who began trying, in her words, to "ruin him." Hate mail, online postings, and public accusations of plagiarism and sexual misconduct were her weapons of choice and, as with more conventional terrorist weapons, proved remarkably difficult to combat. James Lasdun's account, while terrifying, is told with compassion and humor, and brilliantly succeeds in turning a highly personal story into a profound meditation on subjects as varied as madness, race, Middle East politics, and the meaning of honor and reputation in the Internet age.

Collection of stories that combine science, speculation, and horror.

In the Time of Terror, friends turn against friends, patriots are betrayed, and lovers must pay the ultimate price.1793: British navy commander Nathan Peake patrols the English coast, looking for smugglers. Desperate for some real action, Peake gets his chance when France declares war on England and descends into the bloody madness of the Terror. Peake is entrusted with a mission to wreck the French economy by smuggling fake banknotes into Paris. His activities take him down Paris streets patrolled by violent mobs and into the sinister catacombs beneath the French capital. As opposition to the Terror mounts, Peake fights to carry out his mission—and to save the life of the woman he loves.

At the Mountains of Madness is a story, which details the events of a disastrous expedition to the Antarctic continent in September 1930 and what was found there by a group of explorers led by the narrator, Dr. William Dyer of Miskatonic University. Throughout the story, Dyer details a series of previously untold events in the hope of deterring another group of explorers who wish to return to the continent. The title is derived from a line in "The Hashish Man," a short story by fantasy writer Edward Plunkett, Lord Dunsany: "And we came at last to those ivory hills that are named the Mountains of Madness..." Howard Phillips Lovecraft (1890-1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He is now regarded as one of the most significant 20th-century authors in his genre. Some of Lovecraft's work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would tell him Gothic horror stories.

This book shows how an understanding of the nature and role of insanity in Hegel's writing provides intriguing new points of access to many of the central themes of his larger philosophic project. Berthold-Bond situates Hegel's theory of madness within the history of psychiatric practice during the great reform period at the turn of the eighteenth century, and shows how Hegel developed a middle path between the stridently opposed camps of "empirical" and "romantic" medicine, and of "somatic" and "psychical" practitioners. A key point of the book is to show that Hegel does not conceive of madness and health as strictly opposing states, but as kindred phenomena sharing many of the same underlying mental structures and strategies, so that the ontologies of insanity and rationality involve a mutually illuminating, mirroring relation. Hegel's theory is tested against the critiques of the institution of psychiatry and the very concept of madness by such influential twentieth-century authors as Michel Foucault and Thomas Szasz, and defended as offering a genuinely reconciling position in the contemporary debate between the "social labeling" and "medical" models of mental illness.

Tales of gothic horror.