The houses of writers are often places of both creation and inspiration, studio as much as home. This wonderful book takes readers into the intimacy of the homes of 20 great international figures--from Hemingway's simple, tropical world on Key West to the Connecticut Yankee home of Mark Twain to William Faulkner's Oxford plantation--to reveal their private worlds. 220 photos, 200 in color.

Fifty essays by pre-eminent living authors on the literary masters of Great Britain and Ireland. The texts represent some fascinating match-ups: Margaret Drabble on John Keats; P.D. James on Jane Austen. All the residences featured can be visited by the public today. Includes visiting information. 200 photos. Maps.

From Big Sur to coastal Maine, The Library of America presents a lavish and fascinating tour of the homes of America's greatest writers.

Part armchair travel, part reference, this is a journey into Britain's impressive literary and architectural heritage and an exploration of how beloved authors drew inspiration from their homes Britain's wealth of historic houses is acknowledged and admired throughout the world, as is its reputation for producing some of the greatest novelists, poets and playwrights of all time. Many of these leading writers lived, worked, and found inspiration in a variety of houses the length and breadth of the land. Offering insight into the daily routines of popular authors, this book looks at several authors' homes, examining how their surroundings affected their works. Among the homes and gardens examined are Agatha Christie's secluded West Country retreat, the Worcestershire country seat that became the model for a grandiose ancestral pile in Evelyn Waugh's enduring novel, Brideshead Revisited, Enid Blyton's much-loved cottage garden in the leafy Thames Valley, the ancient, timber-framed residence in Stratford-upon-Avon where Shakespeare spent his boyhood, and the moated house and garden in East Sussex that inspired the evocative setting for a Sherlock Holmes story.

The houses of writers are often places of both creation and inspiration, studio as much as home. This wonderful book takes readers into the intimacy of the homes of 20 great international figures--from Hemingway's simple, tropical world on Key West to the Connecticut Yankee home of Mark Twain to William Faulkner's Oxford plantation--to reveal their private worlds. 220 photos, 200 in color.

There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.