This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

The ancient Celtic repertoire offers the fingerstyle guitarist a tantalizingly wide range of moods and emotions from sad laments to lyrical ballads to vibrant dance rhythms. This collection presents a vast array of fingerpicking guitar solos settings on timeless airs, hornpipes, reels, planxties, set dances, jigs, slip jigs, marches, songs and compositions by the renowned 17th century blind Irish bard, Turlough O'Carolan. the solos are in varied guitar tunings and are presented in notation and tablature. Performance notes and suggested listening guides are also included. 27 songs from this book are on the CD.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes

These Celtic folk tunes have been passed down through the generations and still endure today as culturally relevant music. Daryl learnt them from his grandfather, and has created beautiful arrangements of each one that will heighten your guitar skills, increase your repertoire, and help you discover a whole new side to your musicality on guitar.

World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate; the Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.