A collection of poetry dealing with witches and their magic, including "The Witch's Song," "Hallowe'en Fright," "The Hag," "Frogday," and more.

This 1980 book examines witchcraft beliefs and experiences in the Bocage, a rural area of western France. It also introduced a powerful theoretical attitude towards the progress of the ethnographer's enquiries, suggesting that a full knowledge of witchcraft involves being 'caught up' in it oneself. In the Bocage, being bewitched is to be 'caught' in a sequence of misfortunes. According to those who are bewitched, the culprit is someone in the neighbourhood: the witch, who can cast a spell with a word, a touch or a look, and whose 'power' comes from a book of spells inherited from an ancestor. Only a professional magician, an 'unwitcher', has any chance of breaking the succession of misfortunes which befall those who have been bewitched. He undertakes a battle of magic with the suspected witch, a battle which is eventually fatal.

Crone's Book of Magical Words (previously published as The Crone's Book of Words) by Valerie Worth is the book you've been waiting for! In its pages are over 125 spells, incantations, and charms. If you can think of a purpose for a spell, it's probably in this book. Need a spell to summon a ghost? Or perhaps you want the opposite: a spell to free a house from being haunted. They're both in this book. Do you need something to help you lose weight or have longevity? You'll find them here. Or perhaps you want to pass through a locked door. It's all in this book. Even if you don't know a thing about magic, you can use this book. The spells are easy, poetic, and evocative. For example, to cure a wart the instructions are: "Stamp within a silver cup mullein and houseleek together. Stir them with a sparrow's feather. Let it draw the juices up; Twenty times upon one day, brush them over the excrescence; Under sunlight dry the essence--Soon the wart must shrink away." The range in this book is phenomenal. You'll find a simple fertility charm and a way to conjure with smoke. You'll read about how to bring rain and how to stop rain from falling. You'll learn how to tell fortunes with sand or with tea leaves. This is more than just a book about magic, it is a folklorist's bonanza. If you're ready to win another's love or to sweeten someone's disposition, if you want to turn hair long and golden or discover tree spirits, this is the book you must have. Whether you have been doing magic for a long time or are a beginner, this book is a must.

"A gorgeous and thrilling paean to the ferocious power of women. The characters live, bleed, and roar. "―Laini Taylor, New York Times bestselling author A NEW YORK TIMES BESTSELLER • Winner of the British Fantasy Award for Best Fantasy Novel • Named One of the Best Books of the Year by NPR Books • Barnes and Noble • BookPage In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling. Praise for The Once and Future Witches: "A glorious escape into a world where witchcraft has dwindled to a memory of women's magic, and three wild, sundered sisters hold the key to bring it back...A tale that will sweep you away."―Yangsze Choo, New York Times bestselling author "This book is an amazing bit of spellcraft and resistance so needed in our times, and a reminder that secret words and ways can never be truly and properly lost, as long as there are tongues to speak them and ears to listen."―P. Djèlí Clark, author The Black God's Drum For more from Alix E. Harrow, check out The Ten Thousand Doors of January.

A genre-warping, time-travelling horror novel-slash-feminist manifesto for fans of Clarice Lispector and Jeanette Winterson. Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of queer feminist theory and experimental horror, and a unique treatise on magic, writing and art. "Strange and lyrical. Hval’s writing is surreal and rich with the grotesque banalities of human existence." —Publishers Weekly "The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson." —Pitchfork

“This spellbinding fantasy begs for a cozy chair and several hours of uninterrupted reading time.” —The Washington Post When Ned and his identical twin brother tumble from their raft into a raging river, only Ned survives. Villagers are convinced the wrong boy lived. Across the forest that borders Ned’s village, Áine, the daughter of the Bandit King, is haunted by her mother’s last words: “The wrong boy will save your life, and you will save his.” When the Bandit King comes to steal the magic Ned’s mother, a witch, is meant to protect, Áine and Ned meet. Can they trust each other long enough to cross a dangerous enchanted forest and stop the war about to boil over between their two kingdoms? “Barnhill is a fantasist on the order of Neil Gaiman.” —Minneapolis Star Tribune “[The Witch’s Boy] should open young readers’ eyes to something that is all around them in the very world we live in: the magic of words.” —The New York Times “This is a book to treasure.” —Nerdy Book Club A Washington Post Best Book of 2014 A Publishers Weekly Best Book of 2014 A Kirkus Reviews Best Children’s Book of 2014 A Chicago Public Library “Best of the Best” 2014