An unprecedented and timely collection of writings by and on Jawaharlal Nehru--the man who shaped newly independent India; and the icon whose legacy is the subject of intense and often angry debate today. 'Who is this Bharat Mata, whose victory you wish?' asked Jawaharlal Nehru--a leading light of the Indian freedom movement who would become the country's first prime minister--at a public gathering in 1936. And then he explained: the mountains and rivers, forests and fields were of course dear to everyone, but what counted ultimately were 'the people of India...spread out all over this vast land. Bharat Mata, Mother India, [is] essentially these millions of people, and victory to her [is] victory to these people.' This collection of writings and speeches by and on Nehru shows us the mind--the ideology, born of experience, observation and deep study--behind this democratic and inclusive idea of India. It is a book of particular relevance at a time when 'nationalism' and the slogan 'Bharat Mata ki Jai' are being used to construct a militant and purely emotional idea of India that excludes millions of residents and citizens. 'Who Is Bharat Mata?' contains selections from Nehru's classic books--An Autobiography, Glimpses of World History and The Discovery of India; his speeches, essays and letters from the pre- and post-Independence years; and some of his most revealing interviews. The concluding section of the book comprises reminiscences and assessments of Nehru by his contemporaries--among them, Mahatma Gandhi, Bhagat Singh, Sardar Patel, Maulana Azad, Aruna Asaf Ali, Sheikh Abdullah, Ramdhari Singh Dinkar, Ali Sardar Jafri, Martin Luther King Jr and Atal Bihar Vajpayee. In this carefully put-together anthology--which also carries an illuminating introduction--Nehru emerges as a remarkable man of ideas and action who had an instinctive understanding of India's civilizational spirit, as also a clear commitment to the scientific temper; and as a leader who, despite the compulsions of politics, remained a true democrat. His legacy continues to be extremely relevant--for, in the words of the editor, an understanding of 'Nehru's political and intellectual journey is a pre-condition for India's survival as a democratic polity and as a humane, compassionate society'.

Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.

The rise of the Bharatiya Janata Party (BJP) was much more than an ordinary electoral phenomenon: it brought to the fore two contrasting views of nationhood: between those who saw modern India in terms of secular republicanism and on the other hand were those who sought to blend technological modernity with the country's Hindu inheritance. The Right's ascendancy and the debates that accompanied it, anticipated many of the concerns that find reflection today in the United States and Europe. The phenomenon of Hindu nationalism was also a profound intellectual challenge to the loose Left-liberal consensus that had prevailed in India since Jawaharlal Nehru became Prime Minister in 1947. The idea of Hindutva and the political character of the BJP have been closely scrutinised by scholars, and the impulse has been to view India's Right-wing politics as either a variant of fascism or merely a collection of sectarian prejudices. In fact, the inspiration for the Right in India has come from multiple and often contradictory sources, including the influence of individuals such as Sarvarkar, Bankim Chandra Chatterjee, Swami Vivekananda and Sri Aurobindo, not to mention the Arya Samaj movement. This collection is an attempt to showcase the phenomenon of Hindu nationalism in terms of how it perceives itself. Many of the concerns that drive the Indian Right are located in the country's nationalist culture. In trying to locate some of the ideas, attitudes and beliefs that define the Indian Right, Awakening Bharat Mata also seeks to identify the nature of Indian conservatism and identify its similarities and differences with political thought in the West. This book is not about Hindu nationalism in power but as a social and political movement and its aim is to encourage a more informed understanding of an idea that will remain relevant in Indian life far beyond victories and defeats in elections.

This work explores how colonial India imagined human and divine figures to battle the nature and locus of sovereignty.

"In his new introduction, Khilnani addresses these issues in the new perspectives afforded by events of the recent year in India and in the world."--BOOK JACKET.

Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.