The third in a four-volume saga, The Shadow of the Elephant, which also includes Seeds of Love and Whispering Roots.

A chronicle of lived experience, this astonishing book is a biographical exposé, its ultimate theme the great battle of the last days, the final war between God and the Devil. Drawing on her journals, Valerie tells how, at the height of a successful career as writer and actress, she suddenly disappeared. An innocent seeker of God, unaware of the pitfalls, or the unrelenting opposition of the devil, Valerie had strayed into an Indian sect where its female guru, learning of her vocation to ‘write a book for God’, feared her as a potential whistleblower. Vowing to 'stop Valerie writing', she attacks her with magic and occult powers. Now, the writing of the book itself becomes the battlefield. Converted to Catholicism and escaped to France, Valerie is helped by an exorcist. And God, giving her the added vocation to pray for souls lost in sects, comes to her in the Eucharist, fighting alongside, granting moments lifted into bliss and finally breaking the bondage. Thirty years on, the past erased, experience with Valerie the inside story.

This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.

“Introduces us to the darker side of the Asian elephant. It is more of a thriller than a straightforward travel book . . . insightful and sensitive.” —Literary Review On India’s northeast frontier, a killer elephant is on the rampage, stalking Assam’s paddy fields and murdering dozens of farmers. Local forestry officials, powerless to stop the elephant, call in one of India’s last licensed elephant hunters and issue a warrant for the rogue’s destruction. Reading about the ensuing hunt in a Delhi newspaper, journalist Tarquin Hall flies to Assam to investigate. To the Elephant Graveyard is the compelling account of the search for a killer elephant in the northeast corner of India, and a vivid portrait of the Khasi tribe, who live intimately with the elephants. Though it seems a world of peaceful coexistence between man and beast, Hall begins to see that the elephants are suffering, having lost their natural habitat to the destruction of the forests and modernization. Hungry, confused, and with little forest left to hide in, herds of elephants are slowly adapting to domestication, but many are resolute and furious. Often spellbinding with excitement, like “a page-turning detective tale” (Publishers Weekly), To the Elephant Graveyard is also intimate and moving, as Hall magnificently takes us on a journey to a place whose ancient ways are fast disappearing with the ever-shrinking forest. “Hall is to be congratulated on writing a book that promises humor and adventure, and delivers both.” —The Spectator “Travel writing that wonderfully hits on all cylinders.” —Booklist “A wonderful book that should become a classic.” —Daily Mail

Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.