In his second collection, including the iconic and much-referenced title story featured in the Academy Award-winning film Birdman, Carver establishes his reputation as one of the most celebrated short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

A Vintage Shorts “Short Story Month” Selection From one of the most celebrated short-story writers in American literature, the story that launched a thousand homages, in word and film—a haunting meditation on love and companionship, and finding one’s way through the dark. “What We Talk About When We Talk About Love” is included here with its unedited version, “Beginners,” which was originally submitted to Carver’s editor, Gordon Lish. In this eShort, readers can compare both versions of this iconic work of fiction, gaining insight into Carver’s aesthetic and the foundations of the contemporary American short story.

This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.

Here is the original manuscript of Raymond Carver’s seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature—his style is both instantly recognizable and hugely influential—and the pieces in What We Talk About . . ., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story. In this unedited text, we gain insight into the process of a great writer. These expansive stories illuminate the many dimensions of Carver’s style, and are indispensable to our understanding of his legacy. Text established by William L. Stull and Maureen P. Carroll

The author of the sensational national bestseller "For the Relief of Unbearable Urges" and "The Ministry of Special Cases" returns with a commanding new collection of short stories.

The first collection of stories from “one of the great short story writers of our time” (The Philadelphia Inquirer) breathed new life into the American short story, showing us the humor and tragedy that dwell in the hearts of ordinary people. "[Carver's stories] can ... be counted among the masterpieces of American Literature." —The New York Times Book Review "One of the great short story writers of our time—of any time." —The Philadelhpia Inquirer "The whole collection is a knock out. Few writers can match Raymond Carver's entwining style and language." —The Dallas Morning News

In often dreamlike peregrinations around his home towns of Liverpool, London and New York Andy Merrifield reflects on what cities mean to us and how they shape the way we think. As he wanders, Merrifield’s reveries circle questions: Can we talk about cities in the absolute, discovering their essence beneath the particulars? Is it possible truly to love or hate a city, to experience it carnally or viscerally? Might we find true love in the city? Merrifield does find love in the city: with his future wife, whom he takes on a date to see his hero Spalding Gray’s “It’s a Slippery Slope” at London’s South Bank and soon after moves in with, to a tiny place in Bloomsbury where they celebrate the brilliance of new romance by painting the walls turquoise and gold. And for the fellow urbanist Marshall Berman, another working class boy who went up to Oxford. Berman takes Merrifield under his wing and shows him the thrills available in Dostoevsky and Marx over cups of coffee in ordinary cafes on New York City’s Upper West Side. The mood music to these love affairs is provided by a rich repertoire of intellects, from Jane Jacobs to Mike Davis, from Louis Malle to Walter Benjamin. John Lennon, a pupil, like Merrifield, at Quarry Bank school in Liverpool, enters the story; so too the novelist and critic John Berger. And providing tonality throughout is the stripped down, razor honed talk about love in the stories of Raymond Carver. Andy Merrifield is the author of ten books including works on urbanism and social theory such as The New Urban Question and Magical Marxism, biographies of Henri Lefebvre, Guy Debord and John Berger, a popular travelogue, The Wisdom of Donkeys, and a manifesto for liberated living, The Amateur. His journalism has appeared in the Nation, Harper’s, Adbusters, New Left Review, Dissent, the Brooklyn Rail, and Radical Philosophy.