"Orginally published in the United States by Scholastic, Inc, New York, in 1973."--Title page verso.

"Ruth Chew's classic books perfectly capture the joy of everyday magic."—Mary Pope Osborne, bestselling author of the Magic Tree House series Ruth Chew's chapter books are full of simple, matter-of-fact magic that's sure to enchant budding fantasy readers. When Katy and Louise find the key to the locked drawer in Katy's bureau, they aren't impressed by old things belonging to Katy's Aunt Martha. There can't be anything special about the old robe, broken mirror, tin box, or red rubber boots inside, can there? But when Louise dons the robe during the school play and suddenly disappears, Katy and Louise realize that they might just be able to have some grand adventures with the things that Aunt Martha left behind.

What if you could fly—just like a witch? One day, Amy’s mom finds a broom in her backyard and decides to keep it. But when Mom goes out on errands, Amy and her friend Jean discover that the broom can move—and fly. Now they can go anywhere, even on a nighttime flight around the neighborhood! What adventures will they go on next? And will they ever meet the witch who left her broom behind? For decades, Ruth Chew’s classic chapter books full of everyday magic have enchanted early readers. Now that they are in print again, a new generation can fall under her spell and fall in love with reading.

Robert Eggers' The Witch (2015) is one of the most critically acclaimed horror films of recent years, praised as a genre film of unusual depth which eschews jump scares in favour of a gradually and steadily building tension. Set in newly colonized New England in the early seventeenth century, the film’s deep historical and mythological background, as well as its complicated and interlocking character arcs, make for a film whose viewers will be well served by this Devil’s Advocate, the first stand-alone critical study of the film. As well as providing the historical and religious background necessary for a fuller appreciation, including an insight into the Puritan movement in New England Brandon Grafius situates the film within a number of horror sub-genres (such as folk horror) as well as its other literary and folkloric influences.