A USA TODAY BESTSELLER Named a Best Book of 2023 by Book Riot, Shelf Awareness, and NPR The Martian meets 127 Hours in this “astoundingly great” (Gillian Flynn, #1 New York Times bestselling author) and scientifically accurate thriller about a scuba diver who’s been swallowed by an eighty-foot, sixty-ton sperm whale and has only one hour to escape before his oxygen runs out. Jay Gardiner has given himself a fool’s errand—to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it’s a long shot, but Jay feels it’s the only way for him to lift the weight of guilt he has carried since his dad’s death by suicide the previous year. The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid’s tentacles and drawn into the whale’s mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out—one hour to defeat his demons and escape the belly of a whale. Suspenseful and cinematic, Whalefall is an “powerfully humane” (Owen King, New York Times bestselling author) thriller about a young man who has given up on life…only to find a reason to live in the most dangerous and unlikely of places.

A masterful and moving new volume from a “peerless poet of the natural world” (New York Times Book Review). Acclaimed as an essential voice of the American Midwest, David Baker expands both his environment and his form in his eleventh collection. Whale Fall is about time, measured in the wingbeats of a hummingbird or the epochs of geological change, and about place, whether a backyard in Ohio or the slopes of a melting glacier. In the exquisite, musical title poem, a deft hybrid of eco-poetic alarm and intimate narrative, Baker transports us to the deep sea as a single gray whale carcass falls, decays, and is reinhabited by a cosmos of teeming lives. Among the strands of ocean health, microplastics, and related calamities of human disregard, the poet weaves in a personal story of chronic illness. The result is a stirring, confident work, astonishing in its emotional acuity and lyric range. Each poem in Whale Fall is an echolocation, emitting its music to situate itself among others in the vastness of the world. Amidst climate change and catastrophe, as amidst a blooming viburnum or a viral disease, these poems send their songs across empty spaces of a line, a page, or a continent, to see who is out there, moving in the depths of being.

"Jay Gardiner has given himself a fool's errand: to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it's a long shot, but Jay feels it's the only way for him to lift the weight of guilt he has carried since his dad's death by suicide the previous year. The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid's tenacles and drawn into the whale's mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out--one hour to defeat his demons and escape the belly of a whale"--

Winner of the 2020 Andrew Carnegie Medal for Excellence in Nonfiction * Finalist for the 2020 Kirkus Prize for Nonfiction * Finalist for the PEN/E.O. Wilson Literary Science Writing Award A “delving, haunted, and poetic debut” (The New York Times Book Review) about the awe-inspiring lives of whales, revealing what they can teach us about ourselves, our planet, and our relationship with other species. When writer Rebecca Giggs encountered a humpback whale stranded on her local beachfront in Australia, she began to wonder how the lives of whales reflect the condition of our oceans. Fathoms: The World in the Whale is “a work of bright and careful genius” (Robert Moor, New York Times bestselling author of On Trails), one that blends natural history, philosophy, and science to explore: How do whales experience ecological change? How has whale culture been both understood and changed by human technology? What can observing whales teach us about the complexity, splendor, and fragility of life on earth? In Fathoms, we learn about whales so rare they have never been named, whale songs that sweep across hemispheres in annual waves of popularity, and whales that have modified the chemical composition of our planet’s atmosphere. We travel to Japan to board the ships that hunt whales and delve into the deepest seas to discover how plastic pollution pervades our earth’s undersea environment. With the immediacy of Rachel Carson and the lush prose of Annie Dillard, Giggs gives us a “masterly” (The New Yorker) exploration of the natural world even as she addresses what it means to write about nature at a time of environmental crisis. With depth and clarity, she outlines the challenges we face as we attempt to understand the perspectives of other living beings, and our own place on an evolving planet. Evocative and inspiring, Fathoms “immediately earns its place in the pantheon of classics of the new golden age of environmental writing” (Literary Hub).

Marie Russell and Detective Roméo Leduc are finally getting married, but the joyous occasion is overshadowed by the unexpected arrival of Magnus Sørenson, renowned eco-warrior and Marie’s first great love. When Magnus’ plans for a dramatic environmental protest take a dark turn, Roméo and Marie are forced to abandon their honeymoon in the Laurentians in order to catch a killer, unearthing long-buried secrets along the way. Fast-paced and chilling, Whale Fall is a riveting tale of love, vengeance, and climate justice.

When a whale carcass lands on the deep ocean floor, a café opens for business, and the diners don't stop munching, sipping, digging, crawling, burrowing, and rooting their way through the menu until the cupboards are bare. One medium-size whale carcass delivers as much food to the dark, cold ocean depths as 4,000 years of sinking food particles. When a dead whale arrives, the café opens for business, and who better than Dan Tavis to show us the bizarre deep-ocean diners who show up? Hagfish, zombie worms, sleeper sharks—this group of patrons is stranger than the denizens of the Mos Eisley Cantina in Star Wars. A fish in a lab coat, piloting a deep-sea submersible, is our guide to the weirdly fascinating goings-on miles beneath the ocean surface. The backmatter includes rare whale-fall photos from the Monterey Bay Aquarium Research Institute. Dr. Robert Vrijenhoek of MBARI and Dr. Craig Smith, a deep-ocean ecologist at the University of Hawaii, have helped Jacquie Sewell to ensure scientific accuracy.

“The craft of Whale Fall defies. It asserts, for me, a definition of poetry: an unbearable gulf of feeling made indelible by form.”—Diane Seuss, Paris Review A masterful and moving new volume from a “peerless poet of the natural world” (New York Times Book Review). Acclaimed as an essential voice of the American Midwest, David Baker expands both his environment and his form in his eleventh collection. Whale Fall is about time, measured in the wingbeats of a hummingbird or the epochs of geological change, and about place, whether a backyard in Ohio or the slopes of a melting glacier. In the exquisite, musical title poem, a deft hybrid of eco-poetic alarm and intimate narrative, Baker transports us to the deep sea as a single gray whale carcass falls, decays, and is reinhabited by a cosmos of teeming lives. Among the strands of ocean health, microplastics, and related calamities of human disregard, the poet weaves in a personal story of chronic illness. The result is a stirring, confident work, astonishing in its emotional acuity and lyric range. Each poem in Whale Fall is an echolocation, emitting its music to situate itself among others in the vastness of the world. Amidst climate change and catastrophe, as amidst a blooming viburnum or a viral disease, these poems send their songs across empty spaces of a line, a page, or a continent, to see who is out there, moving in the depths of being.