Belief in the coming of a Messiah poses a genuine dilemma. From a Jewish perspective, the historical record is overwhelmingly against it. If, despite all the tragedies that have befallen the Jewish people, no legitimate Messiah has come forward, has the belief not been shown to be groundless? Yet for all the problems associated with messianism, the historical record also shows it is an idea with enormous staying power. The prayer book mentions it on page after page. The great Jewish philosophers all wrote about it. Secular thinkers in the twentieth century returned to it and reformulated it. And victims of the Holocaust invoked it in the last few minutes of their life. This book examines the staying power of messianism and formulates it in a way that retains its redemptive force without succumbing to mythology.

Mary Ellen Mark (born March 20, 1940) is an American photographer known for her photojournalism, her portraiture, and her advertising photography. She has had 16 collections of her work published and has been exhibited at galleries and museums worldwide. She has received numerous accolades, including three Robert F. Kennedy Journalism Awards and three fellowships from the National Endowment for the Arts.

Winner of the PEN Ackerley Prize • Longlisted for the 2019 PEN Open Book Award “Devastating and lyrical.” —The New York Times “Suspenseful and affecting.” —The New Yorker From the celebrated poet behind bone, a collection of poems that tells a story of coming-of-age, uncovering the cruelty and beauty of the world, going under, and finding redemption Through her signature sharp, searing poems, this is the story of Yrsa Daley-Ward and all the things that happened. “Even the terrible things. And God, there were terrible things.” It’s about her childhood in the northwest of England with her beautiful, careworn mother Marcia; the man formerly known as Dad (half fun, half frightening); and her little brother Roo, who sees things written in the stars. It’s also about the surreal magic of adolescence, about growing up and discovering the power and fear of sexuality, about pitch-gray days of pills and powder and connection. It’s about damage and pain, but also joy. With raw intensity and shocking honesty, The Terrible is a collection of poems that tells the story of what it means to lose yourself and find your voice. “You may not run away from the thing that you are because it comes and comes and comes as sure as you breathe.”

After the Supreme Court ruled school segregation unconstitutional in 1954, southern white backlash seemed to explode overnight. Journalists profiled the rise of a segregationist movement committed to preserving the "southern way of life" through a campaign of massive resistance. In Defending White Democracy, Jason Morgan Ward reconsiders the origins of this white resistance, arguing that southern conservatives began mobilizing against civil rights some years earlier, in the era before World War II, when the New Deal politics of the mid-1930s threatened the monopoly on power that whites held in the South. As Ward shows, years before "segregationist" became a badge of honor for civil rights opponents, many white southerners resisted racial change at every turn--launching a preemptive campaign aimed at preserving a social order that they saw as under siege. By the time of the Brown decision, segregationists had amassed an arsenal of tested tactics and arguments to deploy against the civil rights movement in the coming battles. Connecting the racial controversies of the New Deal era to the more familiar confrontations of the 1950s and 1960s, Ward uncovers a parallel history of segregationist opposition that mirrors the new focus on the long civil rights movement and raises troubling questions about the enduring influence of segregation's defenders.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.

While investigating the murder of a suspected serial killer in the Lake Tahoe basin, Detective Michael Garrett is lead back to the small desert border town he once called home, where he uncovers a violent drug cartel that has begun expansion into the United States, and discovers the frightening reality that he has now placed not only himself, but his family and others in harms way. Driven by tourism, the last thing the city of Stateline, Nevada wanted to do was announce the presence of a serial killer. Driven by the laws of nature, the last thing Rosa Jimenez wanted was to become his next victim. Called to assist with a gruesome fi nding, Detective Garrett fi nds himself entrenched in an investigation he cant walk away from. Recognizing Rosa from his past, he was resolute that justice be served. As the investigation leads Garrett south, he seeks the assistance of an old friend and current Vice-Detective with the LAPD, David Ross. When Ross is unable to open doors in the Los Angeles area, Garrett realizes his next stop is his hometown on the Mexican border where he stumbles on a link to Los Zetas, a Drug Cartel that has formed an alliance with the Mexican Mafi a. Used to operating with impunity in Mexico, the cartel targets Garrett and his family as his investigation begins to threaten their business. In a daring attempt to make things right, the detectives cross the border to confront the man directing the cartel henchmen.