Originally published in 1979, Vida is Marge Piercy’s classic bookend to the ’60s. Vida is full of the pleasures and pains, the experiments, disasters, and victories of an extraordinary band of people. At the center of the novel stands Vida Asch. She has lived underground for almost a decade. Back in the ’60s she was a political star of the exuberant antiwar movement—a red-haired beauty photographed for the pages of Life magazine—charismatic, passionate, and totally sure she would prevail. Now, a decade later, Vida is on the run, her star-quality replaced by stubborn courage. She comes briefly to rest in a safe house on Cape Cod. To her surprise and annoyance, she finds another person in the house, a fugitive, Joel, ten years younger than she, a kid who dropped into the underground out of the army. As they spend the next days together, Vida finds herself warming toward a man for the first time in years, knowing the dangers all too well. As counterpoint to the underground ’70s, Marge Piercy tells the extraordinary tale of the optimistic ’60s, the thousands of people who were members of SAW (Students Against the War) and of the handful who formed a fierce group called the Little Red Wagon. Piercy’s characters make vivid and comprehensible the desperation, the courage, and the blind rage of a time when “action” could appear to some to be a more rational choice than the vote. A new introduction by Marge Piercy situates the book, and the author, in the times from which they emerged.

Neuroscientist Alvaro Cruz finds himself haunted by a recurring dream of a banjo player in an elusive cornfield that leads him on a personal quest to uncover the mysterious past of a New Orleans street singer known as Una Vida. Stricken with Alzheimer's, Una Vida can only offer tantalizing clues about her past through her mesmerizing vocals, incredible recollection of jazz lyrics, and the occasional verbal revisiting of a fascinating life that s fading quickly and forever into the recess of her mind. As Cruz searches for Una Vida's true identity, he learns profound lessons about the human psyche, the nature of memory and himself. Now available in paperback for the first time!

First in a delightfully irreverent new series-and second to none when it comes to beautiful 227-year-old career women. Being dead isn't all it's cracked up to be. Take it from Francesca Marinelli, trapped underground for over 200 years and rediscovered during the renovation of a Victorian mansion in historic St. Augustine. A tourist attraction herself, she's well suited for a job as an Old Ghost Town Tour guide. Francesca's due for a new lease on afterlife-and with enough sunblock, she can finally live it. Unfortunately, everything she learned about men is a little dated. And when people in her tour group turn up dead, naturally the police suspect her. After all, she is a vampire. Which is why a crazed vampire-hunting vigilante squad is out to get her as well. Between the dead bodies, the stalkers, and a seriously non-existent love life, she's starting to wish she was dead. Or at least buried, where she was safe.

Finalist for the Readers ofElle Magazine's Grand Prize (France) Winner of the Plaidoiries Prize for Best Crime Novel at the Festival Clameur(s) of Dijon Almodóvar meets Orwell in this acclaimed, fast-paced contemporary noir novel exposing the most shameful secrets of the Franco era. Present-day Spain, a time of economic crisis and resurgent populist nationalism. The radical right has just won the election after twelve years of Socialist rule. In the midst of this political upheaval, a series of murders is committed, taking place from Madrid to Barcelona to Valencia. The victims include a politician a real-estate lawyer, doctor, a banker, and a nun. There is no obvious connection between them. As the country prepares for a return to a certain moral order, radio crime reporter Diego Martin is trying to keep his head above water in anticipation of the expected media purge. When he decides to look into the first murder, he doesn't have the faintest clue that his investigation will lead far beyond his local beat and put his life at risk. For what he uncovers exposes the roots of a national scandal: the theft of babies from the victims of the Franco regime, crimes—never prosecuted—that were orchestrated by now well-connected citizens who will do anything to avoid exposure.

NATIONAL BESTSELLER An achingly beautiful story of female friendship, betrayal, and a mysterious disappearance set in the changing landscape of San Francisco Teenage Eulabee and her magnetic best friend, Maria Fabiola, own the streets of Sea Cliff, their foggy oceanside San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths. Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

Biographical free verse about one of the 20th centurys greatest painters

The story of the near rookie who became a sensational baseball player for the Oakland A's.