The mysteries of the fifth Canto of the Srimad Bhagavatam have long puzzled students of Vedic cosmography and astronomy. Confronted with a description of the universe that seems much at variance with the information provided by our senses and standard astronomical calculations, foreign observers and even Indian commentators from the middle ages up to the present have concluded that the Bhagavatam`s account elaborated in other Puranas must be mythological. On the other hand the same persons have been much impressed with vedic astronomical treatises the jyotisasastras which provide remarkably accurate measurements of the solar system.

The mysteries of the Fifth Canto of the Srimad- Bhagavatam have long puzzled students of Vedic cosmography and astronomy. Confronted with a description of the universe that seems much at variance with the information provided by our senses and standard astronomical calculations, foreign observers-and even Indian commentators-from the Middle Ages up to the present have concluded that the Bhagavatam's account, elaborated in other Puranas, must be mythological. On the other hand, the same persons have been much impressed with Vedic astronomical treatises, the jyotisa-sastras, which provide remarkably accurate measurements of the solar system. In Vedic Cosmography and Astromomy, Dr. Thompson shows that the Fifth Canto's cosmography and the accounts of the solar system found in the jyotisa- sastras are not contradictory, but that they in fact represent distinct yet mutually consistent ways of comprehending a universe with important features beyond the range of ordinary sense perception. solar system found in the jyotisa-sastras are not contradictory, but that they in fact represent distinct yet mutually consistent ways of comprehending a universe with important features beyond the range of ordinary sense perception.

From the flat earth to the sun's chariot - traditional spiritual texts seem wedded to outmoded cosmologies that show, at best, the scientific limitations of their authors. The Bhagavata Purana, one of the classical scriptures of Hinduism, seems, at first glance, to be no exception. However, a closer examination of this text reveals unexpected depths of knowledge in ancient cosmology. Mysteries of the Sacred Universe shows that the cosmology of the Bhagavata Purana is a sophisticated system, with multiple levels of meaning that encode at least four different astronomical, geographical, and spiritual world models. By viewing the text in the light of modern astronomy, Richard Thompson shows how ancient scientists expressed exact knowledge in apparently mythological terms. Comparison with the ancient traditions of Egypt and the Near East shows early cultural connections between India and these regions - including a surprisingly advanced science. However, quantitative science is only part of the picture. Mysteries of the Sacred Universe also offers a clear understanding of how the spiritual dimension was integrated into ancient Indian cosmology.

Indian astronomical texts give the coordinates of the yogataras or junction stars of nakshatras. These coordinates have been interpreted as polar coordinates, which depend on the position of the north celestial pole. Polar coordinates of a star should change with time due to precession. However, different astronomical texts written over many centuries give same coordinates for most yogataras. This has resulted in Indian astronomers being called incompetent, who did not observe the positions of the stars with accuracy. In this book it is proposed that Indian astronomers were using sidereal ecliptic coordinates, which do not change with time to a significant extent. This understanding has led to the discovery of the original boundaries of nakshatras. Based on these boundaries of nakshatras and the changing position of sun in the background of nakshatras during solstices, the dates of astronomical text Vedanga Jyotisha and astronomer Varahamihira have been reexamined. Based on the zero points of Vedic astronomy, the values of ayanamsha have been calculated.

Cosmography is defined here as the rhetoric of cosmology: the art of composing worlds. The mirage of Hyperborea, which played a substantial role in Greek religion and culture throughout Antiquity, offers a remarkable window into the practice of composing and reading worlds. This book follows Hyperborea across genres and centuries, both as an exploration of the extraordinary record of Greek thought on that further North and as a case study of ancient cosmography and the anthropological philology that tracks ancient cosmography. Trajectories through the many forms of Greek thought on Hyperborea shed light on key aspects of the cosmography of cult and the cosmography of literature. The philology of worlds pursued in this book ranges from Archaic hymns to Hellenistic and Imperial reconfigurations of Hyperborea. A thousand years of cosmography is thus surveyed through the rewritings of one idea. This is a book on the art of reading worlds slowly.

The ancient Chinese were profoundly influenced by the Sun, Moon and stars, making persistent efforts to mirror astral phenomena in shaping their civilization. In this pioneering text, David W. Pankenier introduces readers to a seriously understudied field, illustrating how astronomy shaped the culture of China from the very beginning and how it influenced areas as disparate as art, architecture, calendrical science, myth, technology, and political and military decision-making. As elsewhere in the ancient world, there was no positive distinction between astronomy and astrology in ancient China, and so astrology, or more precisely, astral omenology, is a principal focus of the book. Drawing on a broad range of sources, including archaeological discoveries, classical texts, inscriptions and paleography, this thought-provoking book documents the role of astronomical phenomena in the development of the 'Celestial Empire' from the late Neolithic through the late imperial period.