Vampires are beings of myth: folkloric creatures who live off the blood of the living and have been recorded in nearly every culture around the world since the beginning of man. This work traces the evolution of the vampire, from its roots in ancient mythology to obscure folk tales and legends, leading up to when these foul beings transformed into the suave Byronic heroes that continue to influence the world's view of the vampire today. It also examines key individuals in history involved in reshaping our concept of the creature. Popular culture is explored, along with the development of the vampire into the protagonist in plays and poems and novels. Sixty-one frightening images bring the topic right to your front door. Will you invite the visitor in?

Since the publication of John Polidori’s The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an “undead” creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker’s 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire’s beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.

An investigation of the modification and transformation of the vampire; contending that the vampire has evolved from a figure of fear to one of domestication and compassion. Researching into vampires and taking into account the historical evolution and contemporary significance this book will explore myth, repressed memories, desires and primordial images giving rise to the archetypal hero that is the modern vampire. With reference to Sigmund Freud's models and using Carl Jung's framework, including the collective i.e. the Shadow, Id, Ego, Superego will be explored in order to investigate this change from 'Beast to Beauty'. Studying cultural archetypes in relation to belief and historical evidence and following Freudian and Jungian approaches to psychoanalysis provides a pragmatic base for understanding the human psyche. The vampire show the evolution from a figure of fear to a figure of compassion and domestication.

Mark Jenkins’s engrossing history draws on the latest science, anthropological and archaeological research to explore the origins of vampire stories, providing gripping historic and folkloric context for the concept of immortal beings who defy death by feeding on the lifeblood of others. From the earliest whispers of eternal evil in ancient Mesopotamia, Greece, and Rome, vampire tales flourished through the centuries and around the globe, fueled by superstition, sexual mystery, fear of disease and death, and the nagging anxiety that demons lurk everywhere. In Vampire Forensics, Mark Jenkins probes vampire legend to tease out the historical truths enshrined in the tales of terror: sherds of Persian pottery depicting blood-sucking demons; the amazing recent discovery by National Geographic archaeologist Matteo Borrini of a 16th-century Venetian grave of a plague victim and suspected vampire; and the Transylvanian castle of "Vlad the Impaler," whose bloodthirsty cruelty remains unsurpassed. Jenkins navigates centuries of lore and legend, adding new chapters to the chronicle and weaving an irresistibly seductive blend of superstition, psychology, and science sure to engross everyone from Anne Rice’s countless readers to serious students of archaeology and mythology.

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Eleven fresh vampire stories from young adult fiction’s leading voices fill this bestselling anthology—including V.E. Schwab's First Kill, now a major Netflix adaptation! "Boundary-pushing... Stories that stake a new claim on old tropes." —Publishers Weekly, starred review In this delicious new collection, you’ll find stories about lurking vampires of social media, rebellious vampires hungry for more than just blood, eager vampires coming out—and going out for their first kill—and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night. Welcome to the evolution of the vampire—and a revolution on the page. Vampires Never Get Old includes stories by authors both bestselling and acclaimed, including Samira Ahmed, Dhonielle Clayton, Zoraida Córdova and Natalie C. Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley. An Imprint Book "Vampire fans, sink your teeth into this satisfying collection." —Kirkus Reviews

Vampires have Evolved and They are Here! Kelley Armstrong, Tanya Huff and twenty-two other Canadian dark fantasy and horror writers re-imagine the future of vampires in this new collection of all-original short fiction. One of the most unusual and original vampire anthologies ever compiled. “The intriguing Vampires appearing in Evolve all share a common link to the iconic character Dracula” - Dacre Stoker EVOLVE includes works by: Kelley Armstrong, Tanya Huff, Claude Lalumière. Mary E. Choo, Sandra Kasturi, Bradley Somer, Kevin Cockle, Rebecca Bradley, Heather Clitheroe, Colleen Anderson, Sandra Wickham, Rhea Rose, Ronald Hore, Bev Vincent, Jennifer Greylyn, Steve Vernon, Michael Skeet, Kevin Nunn, Victoria Fisher, Rio Youers, Gemma Files, Natasha Beaulieu, Claude Bolduc, and Jerome Stueart. About the Editor: Award-winning author Nancy Kilpatrick has published eighteen novels, over one hundred and ninety short stories, five collections of stories, and has edited nine other anthologies. Much of her body of work involves vampires. Nancy writes dark fantasy, horror, mysteries and erotic horror, under her own name, her nom de plume Amarantha Knight, and her newest pen name Desirée Knight (Amarantha’s younger sister!) Besides writing novels and short stories, and editing anthologies, she has scripted four issues of VampErotic comics. As well, she’s penned radio scripts, a stage-play, and the non-fiction book The Goth Bible: A Compendium for the Darkly Inclined (St. Martin’s Press — October 2004). Nancy won the Arthur Ellis Award for best mystery story, is a three times Bram Stoker finalist and a five times finalist for the Aurora Award. About the Cover Artist: Ex-gravedigger John Kaiine, self trained professional artist/photographer, is also the author of the critically acclaimed metaphysical thriller Fossil Circus and various short stories, including the short film feature Dolly Sodom. He lives in a house by the sea with his wife, Tanith Lee, and two black and white cats. Praise: “The intriguing Vampires appearing in Evolve all share a common link to the iconic character Dracula” -- Dacre Stoker "Vampire fans-this is a must read" -- Parajunkie, Blog with Bite “With stories from genre veterans Kelley Armstrong and Tanya Huff, as well as a slew of newcomers, EVOLVE: VAMPIRE STORIES OF THE NEW UNDEAD is a worthy anthology for vampire lovers.” — Quill and Quire Books in this series: Evolve: Vampire Stories of the New Undead Evolve Two: Vampire Stories of the Future Undead