"Unraveling the Drama: Crafting a Murder Mystery Play" is your comprehensive guide to creating captivating and immersive theatrical experiences. With ten expertly crafted chapters, each packed with invaluable insights and practical advice, this book takes you on a journey through the intricate art of crafting a murder mystery masterpiece. From laying the foundation with essential elements like setting, characters, and plot, to delving into the nuances of dialogue, clues, and red herrings, every aspect of the creative process is explored in depth. Discover the secrets to designing evocative settings, developing compelling characters, and plotting intricate crimes that will keep audiences on the edge of their seats. Whether you're a seasoned playwright or a budding amateur, this book equips you with the tools and techniques you need to bring your vision to life. Learn how to structure your play for maximum impact, navigate the rehearsal and production process, and engage and interact with your audience in innovative ways. Packed with practical tips, inspiring examples, and actionable advice, "Unraveling the Drama" is an indispensable resource for anyone passionate about the art of mystery theater. Whether you're writing your first murder mystery play or seeking to refine your craft, this book will empower you to create unforgettable theatrical experiences that will leave audiences clamoring for more.

Named a Most Anticipated Book of 2020 by: The Washington Post, Vogue, Marie Claire, Entertainment Weekly, The Millions, New York Magazine, Paste Magazine, LitHub, E! News Online, and many more From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds an ominous note on a walk in the woods. While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.

Jeffrey Hatcher knows the nuts and bolts of writing for the theater. Here, he shares his views on it all--from building tension and plotting a scene, right down to moving a character from one side of the stage to the other. From crafting an intriguing beginning to delivering a satisfying ending. In Hatcher's one-on-one discussions with acclaimed American playwrights Lee Blessing, Marsha Norman and Jose Rivera, you'll find a wealth of practical advice, tricks of the trade and insight that will help you in your own creative efforts.

Winner of the SAMLA Studies Award Honorable Mention for the MLA William Sanders Scarborough Prize From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In Afro-Realisms and the Romances of Race, Melissa Daniels-Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience. In this provocative and challenging book, Daniels-Rauterkus contests the long-standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction. Combining literary history with close textual analysis, Daniels-Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels-Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America. With Afro-Realisms and the Romances of Race, Daniels-Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization.

Writing for Animation, Comics, and Games explains the practical aspects of creating scripts for animation, comics, graphic novels, and computer games. It details how you can create scripts that are in the right industry format, and follow the expected rules for you to put your best foot forward to help you break-in to the trade. This book explains approaches to writing for exterior storytelling (animation, games); interior/exterior storytelling (comics and graphic novels), as well as considerations for non-linear computer games in the shortest, pithiest, and most economical way. The author offers insider's advice on how you can present work as professional, how to meet deadlines, how visual writing differs from prose, and the art of collaboration.

"Curl up by the fire (and lock all the doors) for this Christmas cracker of a book." —C.S. Green, author of Sleep Tight Twelve clues. Twelve keys. Twelve days of Christmas. But how many will die before Twelfth Night? Agatha Christie meets Clue in this delightful, tense manor house murder mystery. The annual Christmas Game is afoot at Endgame House, the Armitages' grand family home. This year's prize is to die for—deeds to the house itself—but Lily Armitage has no intention of returning. She hasn't been back to Endgame since her mother died, twenty-one years ago, and she has no intention of claiming the house that haunts her dreams. Until, that is, she receives a letter from her aunt promising that the game's riddles will give her the keys not only to Endgame, but to its darkest secrets, including the identity of her mother's murderer. Now, Lily must compete with her estranged cousins for the twelve days of Christmas. The snow is thick, the phone lines are down, and no one is getting in or out. Lily will have to keep her wits about her, because not everyone is playing fair, and there's no telling how many will die before the winner is declared. Including additional scavenger hunts for the reader, this clever murder mystery is the perfect gift for fans of classic mysteries, festive Christmas books, and armchair detective work.