Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

If this is the end of the world, what do you do? Do you have the will to survive? And in surviving, what or who are you willing to sacrifice? With their city overrun by a plague of Biblical proportions and the dead rising with a preternatural and cannabilistic hunger for human flesh, a group of survivors is forced into answering those questions for themselves. In the sheer act of survival, our heroes are pushed to the brink and expose the rawest essence of human nature and how it affects their relationships with one another and themselves.

Get the entire Undead Apocalypse series now in one complete edition. If he could cure the big diseases... ...it would advance humanity. Why would someone try to stop him? Dr. Saunders skyrocketed to the precipice of immortality when his brainchild, Project Starlight, was green-lit by his company. He would be remembered forever, but not for the reason he hoped. There was a dark side. Was his technology being used for another purpose? Someone at their parent company has a secret. Without his knowledge, his science was being perverted through genetics. They've been testing on human subjects. The poor souls strapped to the injectors have suffered. What is Trans Global Pharmaceuticals plan? Do they want to wipe out humanity... ...or had something gone horribly wrong? In an unknown lab, Mike and the other test subjects struggle to survive in a scientifically engineered hell-on-Earth. With the aid of those left to linger, Mike and his companions must find their way deep into the heart of the facility and escape before it's too late. And so, the race against time begins. You'll love all four books in the Complete Undead Apocalypse Series, because the battle against a world-wide disaster will keep you turning the pages. The Complete Undead Apocalypse series is an action-packed story of surviving the end at all costs. If you like spine-crawling suspense and rugged adventure stories, then you'll love this post-apocalyptic tale. Perfect for fans of Mark Tufo, Shawn Chesser, and Peter Meredith. Grab all three full-length thrillers, plus the Novella (Genesis), and start binge reading the series today! BOOKS INCLUDED IN THE BOX SET: THE COMPLETE UNDEAD APOCALYPSE SERIES Genesis (Prequel) Deadfall RipTide Dead Reckoning Scroll up and grab your copy now! FREE with Kindle Unlimited!

To escape the zombie apocalypse, a small band of survivors journeys into the deadly Alaskan wilderness in this thrilling horror series. Anchorage, once Alaska’s largest city, has fallen to a merciless and growing zombie horde. The survivors led by Neil Jordan and Dr. Caldwell decide to join forces against the hellish undead maelstrom. And when their refuge is compromised, Dr. Caldwell and the others place their faith and their lives squarely in Neil’s hands. With life and death hanging on every decision, Neil must face each new obstacle without breaking. And the group presses on in the hope that this nightmare has been contained, and there still exists a sane world free of infection. But to reach it, they must survive and escape . . .

Undead Ends is about how we imagine humanness and survival in the aftermath of disaster. This book frames modern British and American apocalypse films as sites of interpretive struggle. It asks what, exactly, is ending? Whose dreams of starting over take center stage, and why? And how do these films, sometimes in spite of themselves, make room to dream of new beginnings that don’t just reboot the world we know? Trimble argues that contemporary apocalypse films aren’t so much envisioning The End of the world as the end of a particular world; not The End of humanness but, rather, the end of Man. Through readings of The Road, I Am Legend, 28 Days Later, 28 Weeks Later, Children of Men, and Beasts of the Southern Wild, this book demonstrates that popular stories of apocalypse can trouble, rather than reproduce, Man’s story of humanness. With some creative re-reading, they can even unfold towards unexpected futures. Mainstream apocalypse films are, in short, an occasion to imagine a world After Man.

It's been three long years since Deadbreak. That's what everyone's calling it - the day the dead rose. Every day since then Jeremiah Reid has had one goal: to make his way to his daughter. It's a new world out there and no one is safe. People are meaner, cities are in ruin, supplies are scarce. If he's going to have a chance he'll need his wits, a little bit of luck, and lots of ammo.

Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script