The first decades of the twenty-first century saw a resurgence of the biblical epic film, such as Noah and Exodus: Gods and Kings, which was in turn accompanied by a growth of biblical film criticism. This companion surveys that field of study by framing it in light of significant and recent biblical films as well as the voices of key biblical film critics. Non-Hollywood and seemingly "non-biblical†? films also come under investigation. The contributors concentrate on three points: "context†?, focusing on the 'Bible in' specific film genres and cultural situations; "theory†?, applying theory from both religion and film studies, with an eye to their possible intersections; and "recent and significant texts†?, reflecting on which texts and themes have been most important in 'biblical film' and which are currently at the fore. Exploring cinema across the globe, and accompanied by extended introductory essays for each of the three sections, this companion is an important resource for scholars in both film and biblical reception.

The T&T Clark Companion to the Doctrine of Sin provides a comprehensive treatment of the doctrine of sin. The Companion includes an examination of the biblical and rabbinic accounts of sin, and it provides accounts of sin and its effects offered by key theologians throughout Christian history. It also explores debates surrounding the implications of sin for various doctrines, including God, creation, anthropology, and salvation. The book is comprised of 30 major essays that provide an unparalleled examination of the key texts, figures, and debates relevant to the Christian tradition's discussion of the doctrine of sin. The Companion is unique in that every essay seeks to both appropriate and further stimulate the church's understanding of sin and its implications for the whole of the church's dogmatic tradition. The essays are divided into three sections: (1) Biblical Background; (2) Major Figures and Traditions; and (3) Dogmatic Concerns. The first set of essays explores the biblical and rabbinic accounts of sin to bring out the complexities of the biblical presentation and its implications. The second section discusses the role of the doctrine of sin in the theology of key theologians with a special attention to explaining how the doctrine contributes to an understanding of their overall theology. The final section explores key dogmatic questions and concerns related to the doctrine of sin (e.g. original sin, sin and the question of evil and providence, sin and the freedom of the will).

The T&T Clark Handbook of Jesus and Film introduces postgraduate readers to the critical field of Jesus and/on film. The bulk of biblical films feature Jesus, as protagonist, in cameo, or as a looming background presence or pattern. The handbook assesses the field in light of the work of important biblical film critics including chapters from the leading voices in the field and showcasing the diversity of work done by scholars in the field. Movies discussed include The Passion of the Christ, The King of Kings, Jesus of Nazareth, Monty Python's Life of Brian, Son of Man, and Mary Magdalene. The chapters range across two broad areas: 1) Jesus films, understood broadly as filmed passion plays, other relocations of Jesus, historical Jesus treatments, and Jesus adjacent cinema (privileging invented characters or “minor” gospel characters); and 2) other cinematic Jesuses, including followers who imitate Jesus devotionally or aesthetically, (Christian) Christ figures, antichrists, yet other messiahs, and competing Jesuses in a pluralist world. As one leaves the confines of Christian theology, the question of what a film or interpreter is doing with Jesus or Christ becomes something to be determined, not necessarily something traditional.

Bible and Film: The Basics is a concise, accessible, and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film, and to some of the most common and important methods Bible and Film scholars use. Questions asked throughout the book include: How do films (re)interpret and illuminate biblical texts? How do films appropriate, reconfigure, and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible. The theme of ‘Bible on film’ is explored through Hebrew Bible epics including The Prince of Egypt and Noah, and Jesus films such as The Last Temptation of Christ and Son of Man. The theme ‘Bible in film’ is analyzed through films including Mary Magdalene, Magnolia, Pulp Fiction, and The Book of Eli. Films that ‘reimagine the Bible’ include Ex Machina, mother!, and The Tree of Life; unusual Jesus figures in Pan’s Labyrinth, Dogville, and Donnie Darko are also explored. ‘Film as Bible’ considers films such as To the Wonder, Silence, and Parasite. A conclusion examines television shows such as Dekalog, The West Wing, The Handmaid’s Tale, and God on Trial. With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to religion and film, bible and film, bible and popular culture, and theology and film.

Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include: the contribution of Bible and Bible-related movies to the history of the Bible’s reception; the ways in which filmmakers make use of scripture to address and reflect their own time and place; the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption; the role of the Bible as a source of ethics and morality, and how this role is both perpetuated and undermined in a range of contemporary Hollywood films; and film as a medium for experiences of transcendence, and the role of the Bible in creating such experiences. This thoroughly updated second edition includes insightful analysis of films such as Noah, Gods and Men, Mary Magdalene, and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. The book also includes pedagogical resources including discussions of film theory, as well as key words and discussion questions. Teachers, students, and anyone interested in the intersection of Bible and cinema will find this an invaluable guide to a growing field.

This volume offers a compact introduction to one of the most daunting texts in the New Testament. The Letter to the Hebrews has inspired many readers with its encomium to faith, troubled others with its hard sayings on the impossibility of a second repentance, and perplexed still others with its exegetical assumptions and operations drawn from a cultural matrix that is largely alien to modern sensibilities. Long thought to be Paul, the anonymous author of Hebrews exhibits points of continuity with the apostle and other New Testament writers in the letter's (or sermon's) vision of life in the light of the crucified Messiah, but one also finds distinctive perspectives in such areas as Christology, eschatology, and atonement. Gray and Peeler survey the salient historical, social, and rhetorical factors to be considered in the interpretation of this document, as well as its theological, liturgical, and cultural legacy. They invite readers to enter the world of one of the boldest Christian thinkers of the first century.

The first reference resource on how Asian Americans are currently reading and interpreting the Bible, this volume also serves a valuable role in both developing and disseminating what can be termed as Asian American biblical hermeneutics. The volume works from the important background that Asian Americans are the fastest growing ethnic/racial minority population in the USA, and that 42% of this group identifies as Christian. This provides a useful starting point from which to examine what may be distinctive about Asian American approaches to the Bible. Part 1 of the Handbook describes six major ethic groups that make up 85% of Asian population (by country of origin: China, Philippines, Indian Subcontinent, Vietnam, Korea, Japan) and outlines the specific concerns each group has when its members read the Bible. Part 2 of the Handbook examines major critical methods in biblical interpretation and suggests adjustments that may be helpful for Asian Americans to make when they are interpreting the Bible. Finally, Part 3 provides 25 interpretations by Asian American biblical scholars on specific texts in the Bible, using what they consider to be Asian American hermeneutics. Taken together the Handbook interprets the Bible both with and for the Asian American communities.