For the 2000 omnibus which contains this collection, see Time and the Gods (omnibus).Time and the GodsTimeAndTheGods.jpgFirst editionAuthorLord DunsanyIllustratorSidney SimeCountryUnited KingdomLanguageEnglishGenreFantasyPublisherWilliam HeinemannPublication date1906Media typePrint (hardback)Preceded byThe Gods of Pegāna Followed byThe Sword of Welleran and Other Stories Time and the Gods is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others.The book was first published in hardcover by William Heinemann in September, 1906, and has been reprinted a number of times since. It was issued by the Modern Library in an unauthorised combined edition with The Book of Wonder under the latter's title in 1918.Dunsany had a brief preface in the original edition and added a new introduction to the 1922 edition.The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegāna. It was preceded by his earlier collection The Gods of Pegāna and followed by some stories in The Sword of Welleran and Other Stories.The book was illustrated by Dunsany's preferred artist Sidney Sime, who provided a range of black and white plates, the originals of which are still at Dunsany Castle. These were present in the 1906 and 1922 editions, not in the unauthorised collections and not in most modern reproductions.The title is thought to have been influenced by Algernon Swinburne, who wrote the line "Time and the Gods are at strife" in his 1866 poem "Hymn to Proserpine".

Traversing visible and invisible realms, A Time of Lost Gods attends to profound rereadings of politics, religion, and madness in the cosmic accounts of spirit mediumship. Drawing on research across a temple, a psychiatric unit, and the home altars of spirit mediums in a rural county of China’s Central Plain, it asks: What ghostly forms emerge after the death of Mao and the so-called end of history? The story of religion in China since the market reforms of the late 1970s is often told through its destruction under Mao and relative flourishing thereafter. Here, those who engage in mediumship offer a different history of the present. They approach Mao’s reign not simply as an earthly secular rule, but an exceptional interval of divine sovereignty, after which the cosmos collapsed into chaos. Caught between a fading era and an ever-receding horizon, those “left behind” by labor outmigration refigure the evacuated hometown as an ethical-spiritual center to come, amidst a proliferation of madness-inducing spirits. Following pronouncements of China’s rise, and in the wake of what Chinese intellectuals termed semicolonialism, the stories here tell of spirit mediums, patients, and psychiatrists caught in a shared dilemma, in a time when gods have lost their way.

The author focuses on one of the most important religious centers in Africa: the Yoruba city of Ile-Ife in southwest Nigeria. The spread of Yoruba traditions in the African diaspora has come to define the cultural identity of millions of black and white people in Brazil, Cuba, Puerto Rico, Trinidad, and the United States. He describes how the city went from great prominence to near obliteration and then rose again as a contemporary city of gods. Throughout, he corroborates the indispensable linkages between religion, cosmology, migration, and kinship as espoused in the power of royal lineages, hegemonic state structure, gender, and the Yoruba sense of place.

A New Expanded And Illustrated Edition Of The Work First Published In 1980. Relates Two Festivals-Durgapuja In Some Of Goddess Durga, And Gajan In Honour Of Lord Siva. Presents An Inside New Of Society And Is The Only Complete Ethnographic Account Of A Major Ritual Cycle In India. 4 Chapters And 4 Appendices.

Life in the magical mess of the Detroit Free Zone is never easy. When you're laboring under the curse of a certain prideful, overbearing dragon, it can be down right impossible.My name is Opal Yong-ae, and I'm a Cleaner. At least, I used to be. Thanks to the supernatural bad luck that turns everything I do against me, these days I'm more of a walking disaster. Getting rid of this curse is the only way to get my life back. Unfortunately, dragon magic is every bit as sneaky and deadly the monsters behind it, and just as hard to beat.But I've never been one to take her doom at face value. Cornered doesn't mean defeated, and in an awakened city that rules herself, dragons are no longer the biggest powers around.Book 2 in the now complete DFZ trilogy featuring a hilarious heroine, her overbearing dragon dad, her long-suffering mental health AI, and the crazy guy brave enough to go along with it all.

Tales of Wonder, is the tenth book and sixth original short story collection of Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin and others.

In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”