In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why. Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of the war, a country girl from rural Oregon finds herself holding the fate of the world in her hands. When Kate misses her mark and the plan unravels, Kate is on the run for her life—all the time wrestling with the suspicion that the whole operation was a set-up. New York Times bestselling author Cara Black is at her best as she brings Occupation-era France to vivid life in this masterful, pulse-pounding story about one young woman with the temerity—and drive—to take on Hitler himself. *Features an illustrated map of 1940s Paris as full color endpapers.

“Like All the Light We Cannot See, The Paris Hours explores the brutality of war and its lingering effects with cinematic intensity. The ending will leave you breathless.” —Christina Baker Kline, author of Orphan Train and A Piece of the World One day in the City of Light. One night in search of lost time. Paris between the wars teems with artists, writers, and musicians, a glittering crucible of genius. But amidst the dazzling creativity of the city’s most famous citizens, four regular people are each searching for something they’ve lost. Camille was the maid of Marcel Proust, and she has a secret: when she was asked to burn her employer’s notebooks, she saved one for herself. Now she is desperate to find it before her betrayal is revealed. Souren, an Armenian refugee, performs puppet shows for children that are nothing like the fairy tales they expect. Lovesick artist Guillaume is down on his luck and running from a debt he cannot repay—but when Gertrude Stein walks into his studio, he wonders if this is the day everything could change. And Jean-Paul is a journalist who tells other people’s stories, because his own is too painful to tell. When the quartet’s paths finally cross in an unforgettable climax, each discovers if they will find what they are looking for. Told over the course of a single day in 1927, The Paris Hours takes four ordinary people whose stories, told together, are as extraordinary as the glorious city they inhabit.

All bets are off in the City of Lights . . . where life and love can change in less than a day Shortly after calling off her engagement, Mira Attwal escapes on an all-expense-paid business trip to Paris. But even the delicious food and flowing wine can’t make her forget her parent’s disappointment at leaving her fiance or the fact that she’s just blown up her personal life. As the trip nears its end, Mira knows she’s just a few hours from having to face the consequences. Yet, the fates seem determined to keep her away just a bit longer. Subways are missed. Trains simply don’t run. By the time Mira makes it to the airport, there are no new flights until the next day. And the icing on the pain au chocolat? Her arrogant and insufferable co-worker Jake Lewis is in the same boat. When he suggests that they spend the extra hours together, she’s sure his annoying optimism will be more than she can handle. But as they spend the next twenty-four hours exploring Paris in all its beauty, Mira realizes that she and Jake have more in common than they thought, and he may turn out to be the best thing she discovers in the City of Love.

This riveting 20th installment entangles Parisian private investigator Aimée Leduc in a dangerous web of international spycraft and terrorist threats in Paris's 15th arrondissement. November 2001: in the wake of 9/11, Paris is living in a state of fear. For Aimée Leduc, November is bittersweet: the anniversary of her father’s death and her daughter’s third birthday fall on the same day. A gathering for family and friends is disrupted when a bomb goes off at the police laboratory—and Boris Viard, the partner of Aimée’s friend Michou, is found unconscious at the scene of the crime with traces of explosives under his fingernails. Aimée doesn’t believe Boris set the bomb. In an effort to prove this, she battles the police and his own lab colleagues, collecting conflicting eyewitness reports. When a member of the French secret service drafts Aimée to help investigate possible links to an Iranian Revolutionary guard and fugitive radicals who bombed Interpol in the 1980s, Aimée uncovers ties to a cold case of her father’s. As Aimée scours the streets of the 15th arrondissement trying to learn the truth, she has to ask herself if she should succumb to pressure from Chloe’s biological father and move them out to his farm in Brittany. But could Aimée Leduc ever leave Paris?

In a tale of friendship, self-discovery and love, three women running away from their lives become unlikely friends in a beautiful house in the heart of Paris. Lost in France, a country she mistrusts, among French people she hardly understands, Annie has trouble venturing away from home since the death of her husband. And since home happens to be a small jewel of a house nestled in the heart of Paris, why would she ever want to? But when bankruptcy threatens her beloved house, her one anchor in life, Annie has no choice but to find renters, and quick. Leave it to someone socially phobic to phrase a want ad in all the wrong ways. With shimmering promises of 'Starting over in Paris' -- a concept she has no intention of applying to her own life-- Annie attracts tenants with the kind of baggage that doesn't fit in suitcases. A long-legged, cool-headed ex model (everything Annie is definitely not) on the run from her abusive husband, a frail young woman harboring a possible death wish, a mysterious French artist, and an infuriating blue-blooded French man soon threaten Annie's way of life in ways she never anticipated. But when Annie finds herself reluctantly yet actively engaged in the rescue of her tenants, she discovers that she might just save herself in the process.

Cara Black’s riveting 19th installment in her New York Times bestselling Parisian detective series entangles private investigator Aimée Leduc in a dangerous web of international spycraft, post-colonial Franco-African politics, and neighborhood secrets in Paris’s 12th arrondissement. Parisian private investigator Aimée Leduc is about to go onstage to deliver the keynote address at a tech conference that is sure to secure Leduc Detective some much-needed business contracts when she gets an emergency phone call from her daughter’s playgroup: Aimée’s own mother, who was supposed to pick Chloe up, never showed. Abandoning her hard-won speaking gig, Aimée rushes to get Chloe, annoyed that her mother has let her down yet again. But as Aimée and Chloe are leaving the playground, Aimée witnesses the body of a homeless woman being wheeled away from the neighboring convent, where nuns run a soup kitchen. The last person anyone saw the dead woman talking to was Aimée’s mother, who has vanished. Trying to figure out what happened to Sydney Leduc, Aimée tracks down the dead woman’s possessions, which include a huge amount of cash. What did Sydney stumble into? Is she in trouble?

What do you wear to Paris? Ami and I discussed it for hours but I still couldn't think of anything suitable. Ami said a trench coat with nothing underneath but your best underwear. That was only if some boy was meeting you at the airport, I said. Eighteen-year-old Lisette has just arrived in Paris (France!) - the city of haute couture and all things stylish - to practise her French and see great works of art. Her clairvoyant landlady Madame Christophe forces her to attend language lessons with a bunch of international students but soon Lise discovers she's more interested in studying boys than art or verbs ... When the undeniably hot Anders jogs into her life it feels too good to be true. Things get even more complicated when she is pursued by Hugo, a charming English antiques dealer. Can she take a chance and follow her own dreams? How far into the future can Madame Christophe see? And could Lise really be falling in love - in Paris?