Software -- Operating Systems.

Don’t miss Ami Polonsky’s stunning new novel, World Made of Glass To Whom It May Concern: Please, we need help! The day twelve-year-old Clara finds a desperate note in a purse in Bellman's department store, she is still reeling from the death of her adopted sister, Lola. By that day, thirteen-year-old Yuming has lost hope that the note she stashed in the purse will ever be found. She may be stuck sewing in the pale pink factory outside of Beijing forever. Clara grows more and more convinced that she was meant to find Yuming's note. Lola would have wanted her to do something about it. But how can Clara talk her parents, who are also in mourning, into going on a trip to China? Finally the time comes when Yuming weighs the options, measures the risk, and attempts a daring escape. The lives of two girls -- one American, and one Chinese -- intersect like two soaring kites in this story about loss, hope, and recovery.

For the Hmong people living in overcrowded refugee camps in Thailand, America is a dream: the land of peace and plenty. In 1995, ten years after their arrival at the camp, thirteen-year-old Mai Yang and her grandmother are about to experience that dream. In America, they will be reunited with their only remaining relatives, Mai’s uncle and his family. They will discover the privileges of their new life: medical care, abundant food, and an apartment all their own. But Mai will also feel the pressures of life as a teenager. Her cousins, now known as Heather and Lisa, try to help Mai look less like a refugee, but following them means disobeying Grandma and Uncle. From showers and smoke alarms to shopping, dating, and her family’s new religion, Mai finds life in America complicated and confusing. Ultimately, she will have to reconcile the old ways with the new, and decide for herself the kind of woman she wants to be. This archetypal immigrant story introduces readers to the fascinating Hmong culture and offers a unique outsider’s perspective on our own.

Americans have been shocked by media reports of the dismal working conditions in factories that make clothing for U.S. companies. But while well intentioned, many of these reports about child labor and sweatshop practices rely on stereotypes of how Third World factories operate, ignoring the complex economic dynamics driving the global apparel industry. To dispel these misunderstandings, Jane L. Collins visited two very different apparel firms and their factories in the United States and Mexico. Moving from corporate headquarters to factory floors, her study traces the diverse ties that link First and Third World workers and managers, producers and consumers. Collins examines how the transnational economics of the apparel industry allow firms to relocate or subcontract their work anywhere in the world, making it much harder for garment workers in the United States or any other country to demand fair pay and humane working conditions. Putting a human face on globalization, Threads shows not only how international trade affects local communities but also how workers can organize in this new environment to more effectively demand better treatment from their distant corporate employers.

A guide to creating community-based art installations using green waste, invasive species and natural materials Disposing of unwanted natural materials can be expensive and time-consuming, or it can present a tremendous opportunity for creating collaborative eco-art. Invasive-species control, green-waste management, urban gardening, and traditional crafts can all be brought together to strengthen community relationships and foster responsible land stewardship. Simple, easily taught, creative techniques applied with shared purpose become the modern-day equivalent of a barn raising or a quilting bee. Common Threads is a unique guide to engaging community members in communal handwork for the greater good. Sharon Kallis provides a wealth of ideas for: Working with unwanted natural materials, with an emphasis on green waste and invasive species Visualizing projects that celebrate the human element while crafting works of art or environmental remediation Creating opportunities for individuals to connect with nature in a unique, meditative, yet community-oriented way Combining detailed, step-by-step instructions with tips for successful process and an overview of completed projects, Common Threads is a different kind of weaving book. This inspirational guide is designed to help artists and activists foster community, build empowerment, and develop a do-it-together attitude while planning and implementing works of collaborative eco-art. Sharon Kallis is a Vancouver artist who specializes in working with unwanted natural materials. Involving community in connecting traditional hand techniques with invasive species and garden waste, she creates site-specific installations that become ecological interventions. Her recent projects include The Urban Weaver Project, Aberthau: flax=food+fibre, and working closely with fiber artists, park ecologists, First Nations basket weavers, and others.

Three trendy British BFFs help a brilliant Ugandan girl in this heartfelt fashion fairy tale!Once upon a time in London town, there were three fab "birds": Nonie's a freak for fashion. Eco-conscious Edie blogs to save the world--and to get into Harvard. And starter-starlet Jenny just finished filming a small part in a BIG Hollywood blockbuster opposite a drool-worthy boy. But when these trendy Brit besties meet Crow, a refugee girl who happens to be an amazing designer, their worldview gets an extreme makeover. As they learn about the serious situation in Crow's homeland, the three friends decide to mix-and-match their talents to call attention to the crisis of Uganda's Night Walking children.Fashion and compassion: C'est tres chic! Now Nonie's just got to lace up her (always a classic) Converse kicks, put on her (vintage Dior pillbox) thinking cap, and somehow "make it work"!A fierce, sweet, boldface fashion fairy tale!

From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion.