Why do you write? Perhaps you’re penning a memoir, fantasy, or romance. Maybe you’re writing a sci-fi series or creative nonfiction novel. At the receiving end will be readers who demand clarity. If you confuse them, you lose them. Learn how to capture their attention and keep them engaged. Discover when to bend or break the so-called “rules” and motivate everyone to finish “just one more chapter.” This book is a must-have for all writers, from amateur to professional, fiction to nonfiction. Sprinkled throughout, you’ll find exercises and examples with ideas for story prompts. Snap ‘em up at will, and ... ... write on.

You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS.

In this anthology from the Villa Gillet literary conference, world-renowned authors from A.S. Byatt to Enrique Vila-Matas discuss their work. At the international literary conference hosted by Villa Gillet and Le Monde, organizers asked more than seventy prominent authors to choose a word that opens a door to their work. Their musings, collected here and organized alphabetically by keyword, present an array of intriguing, amusing, and surprising insight into contemporary literature. Through these personal "passwords," authors articulate the function of language, character, plot, and structure in their work. Jonathan Lethem discusses the necessity of "furniture" in the novel. A. S. Byatt describes the power of the narrative web. Colum McCann details the benefits of anonymity. Daniel Mendelsohn expounds on the unknowable, or what the author should or should not impart to the reader. Etgar Keret explains the importance of balagan, a Hebrew word meaning "total chaos," and Annie Proulx clarifies terroir, which embodies the complexities of time, place, geography, weather, and climate. Other participants include Rick Moody on adumbrated, Upamanyu Chatterjee on the bildungsroman, Adam Thirwell on hedonism, Nuruddin Farah on identities, Andre Brink on the heretic, and Péter Esterhazy on the power and potential of words.

Become a revision-savvy writer with the help of The Editor¿s Lexicon: Essential Writing Terms for Novelists. It decodes, defines, and provides helpful examples of the editorial jargon used in writing workshops, critiques, and online forums. Written by an experienced editor and writing teacher, this dictionary-style reference book is a fundamental guide for writers across the spectrum of experience--from new writers learning the craft, to seasoned nonfiction writers working on a first novel, to intermediate-level authors wishing to sharpen their technical skills. In the tradition of Strunk & White¿s The Elements of Style, The Editor¿s Lexicon is a concise, indispensable reference volume for every author¿s shelf.

An entertaining, illuminating lexicography of words coined by authors throughout the ages, published on the “sesquiquadricentennial” (450th anniversary) of Shakespeare's birth. William Shakespeare's written vocabulary consisted of 17,245 words, including hundreds that were coined or popularized by him. Some of the words never went further than their appearance in his plays, but others-like bedazzled, hurry, critical, and anchovy-are essential parts of our standard vocabulary today. Many other famous and lesser-known writers have contributed to the popular lexicon. According to the Oxford English Dictionary, Sir Walter Scott ranks second to Shakespeare in first uses of words and giving a new and distinct meaning to already existing words (Free Lances for freelancers). John Milton minted such terms as earthshaking, lovelorn, by hook or crook, and all Hell broke loose, and was responsible for introducing some 630 words. Gifted lexicographer Paul Dickson deftly sorts through neologisms by Chaucer (a ha), Jane Austen (base ball), Louisa May Alcott (co-ed), Mark Twain (hard-boiled), Kurt Vonnegut (granfalloon), John le Carrè (mole), William Gibson (cyberspace), and many others. Presenting stories behind each word and phrase, Dickson enriches our appreciation of the English language in a book as entertaining as it is enlightening.

This dictionary is a guide to the key authors, concepts, and terms used in the study of literature written in English. Each entry begins with a straightforward definition, and is followed by explanation and examples. Each writer is defined by type, significant preoccupation and/or style, and a selection of notable works. There are a number of entries on writers in a foreign language who have had a major influence on literature in English. One of the most important uses of this book is as a cross-referencing tool. Italicized cross-referenced entries form an interrelated web, presenting a unified overall picture of particular areas of interest.