Pathetical Contemplation of the Mercies of GOD, in Several Most Devout and Sublime Thanksgivings for the Same, first printed in 1699 and commonly referred to as the 'Thanksgivings'. Both are works of universal appeal, learning and insight that show Traherne to be engaged in the central issues of his age." "Printed in the Appendix is Meditations on the Six Days of the Creation, a work of questionable attribution to Traherne, as well as William T. Brooke's account of the discovery of Traherne's manuscripts, 'The Story of the Traherne MSS. By their finder', held at the Bodleian Library, Oxford, and published for the first time." --Book Jacket.

Pathetical Contemplation of the Mercies of GOD, in Several Most Devout and Sublime Thanksgivings for the Same, first printed in 1699 and commonly referred to as the 'Thanksgivings'. Both are works of universal appeal, learning and insight that show Traherne to be engaged in the central issues of his age." "Printed in the Appendix is Meditations on the Six Days of the Creation, a work of questionable attribution to Traherne, as well as William T. Brooke's account of the discovery of Traherne's manuscripts, 'The Story of the Traherne MSS. By their finder', held at the Bodleian Library, Oxford, and published for the first time." --Book Jacket.

Thomas Traherne [1637? - 1674], a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were discovered. There have been since miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together all of Traherne's extant works in a definitive, printed edition for the first time. It will include both his published and unpublished works, and his notebooks, presenting them insofar as possible by manuscript, giving due attention to their physical aspects and to their integrity as manuscript books. Volumes II and III make available The Commentaries of Heaven, preserved in one manuscript held at the British Library. Organised topically, it was intended to cover the whole of the alphabet but extends only through `A' and part of `B', with 95 prose articles altogether. It possesses the charactertistics of a commonplace book, encyclopaedia and dictionary, and contains poetry, meditations, philosophical discourse, and polemic. The unusual range of subjects treated, from `Abhorrence' to `Ant', `Aristotle' to `Atom', shows Traherne to be an imaginative and compelling writer in his approach to Christian theology, while maintaining both his integrity and orthodoxy as a priest.

Flies are the most ubiquitous of insects: buzzing, minuscule, and seemingly insignificant, they've been both plagues and minor annoyances for millennia. Rather than ignore these incredibly mundane and seemingly insignificant creatures, poets spanning centuries--from the seventeenth to the twentieth--and continents--from North America to Asia--have found that these ordinary bugs in fact illuminate deep spiritual mysteries. In this revelatory book, Robert Hudson considers seven poets, each of whom wrote a provocative poem about a fly. These poets--all mystics in their own way--ponder the simple fly and come to astounding conclusions. Considering Emily Dickinson, William Blake, and several other poets, The Poet and the Fly brings together the poetry, the flies, and the poets' own lives to explore the imaginative, and often prophetic, insights that come from the startling combination of poetry and flies. Ultimately, the message each poet offers to us through the fly is as relevant today as it was in their own time: the miracle of existence, the gift of mortality, the power of the imagination, the need for compassion, the existence of the soul, the mystery of everything around us, and the sacramental, grace-giving power of story.

Greening the Children of God uncovers the theological roots of the growing ethical imperative to reconnect children to their natural environment. In their different traditions, theologians, environmental educators and psychologists all affirm that knowing their place in the natural environment helps a child develop an intersubjective ‘ecological’ identity that nurtures virtues of mutuality and care. During the Scientific Revolution this ethical harmony was threatened as science and moral theology began to adopt different epistemological methods, something the Anglican priest and poet Thomas Traherne was all too aware of. Traherne insisted that education should promote a child’s attention to the moral dimensions woven into ‘the tapestry of creation’, and professed that play, wonder, and a sensory relationship to diverse creatures play a pedagogical role in a child’s moral formation. Greening the Children of God establishes the contemporary significance of Traherne’s moral theory in conversation with child psychologists, educators, philosophers, and theologians who know that cultivating a place-based relationship to the local ecology helps children perceive creation’s deep mutuality and develop a moral identity in the image of a caring Creator.

The seventeenth-century poet and divine Thomas Traherne finds innocence in every stage of existence. He finds it in the chaos at the origins of creation as well as in the blessed order of Eden. He finds it in the activities of grace and the hope of glory, but also in the trials of misery and even in the abyss of the Fall. Boundless Innocence in Thomas Traherne’s Poetic Theology traces innocence through Traherne’s works as it transgresses the boundaries of the estates of the soul. Using grammatical and literary categories it explores various aspects of his poetic theology of innocence, uncovering the boundless desire which is embodied in the yearning cry: ’Were all Men Wise and Innocent...’ Recovering and reinterpreting a key but increasingly neglected theme in Traherne’s poetic theology, this book addresses fundamental misconceptions of the meaning of innocence in his work. Through a contextual and theological approach, it indicates the unexplored richness, complexity and diversity of this theme in the history of literature and theology.

"The world's fair beauty set my soul on fire." In this first study of the full range of Traherne's poetry Richard Willmott explains his 'metaphysical' poetry to all who are attracted by the beauty of his language, but puzzled by his meaning. He offers guidance both for the student of English, uncertain about Traherne's theological ideas, and the student of theology, put off by seventeenth-century poetic conventions and diction. Using a wealth of quotation, he examines Traherne's verse alongside that of a variety of his contemporaries, including Andrew Marvell, Lucy Hutchinson, Anne Bradstreet and Edward Taylor. Central to Traherne's poetry and generous theology is his delight in the capacity of his soul to approach God through an appreciation of His infinite creation. This soul is 'voluble', not only because it can express its thoughts with fluency, but also because it can enfold within itself the infinity of God's creation, taking in everything that it perceives, considering the latest scientific speculations about the atom and astronomy, but also looking clear-sightedly at Restoration society's materialism and - in one startlingly savage satire - the corruption of the royal court.