This is a book that will bring hidden factors of our every existence here on earth with time from our past into the future and back to the present. How one will contribute to the change of everything we thought we knew. Keep your mind open as you read it. Some information will spark your own imagination and questions right to the end.

This is a book that will bring hidden factors of our every existence here on earth with time from our past into the future and back to the present. How one will contribute to the change of everything we thought we knew. Keep your mind open as you read it. Some information will spark your own imagination and questions right to the end.

This book presents an innovative approach to linguistic semantics, starting from the idea that language is a mechanism for the expression of linguistic meanings as particular surface forms (texts). Semantics is that system of rules that ensures a transition from a Semantic Representation of the meaning of a family of synonymous sentences to the Deep-Syntactic Representation of a particular sentence. Framed in terms of Meaning-Text linguistics, this volume discusses the Deep-Syntactic Representation and the transition from Semantics to Deep-Syntax via Semantic paraphrasing (the equivalence amongst Semantic Representations), Deep-Syntactic paraphrasing (the equivalence amongst Deep-Syntactic Representations), and the passage between the two. A chapter is dedicated to the Explanatory Combinatorial Dictionary, a semantically based and co-occurrence-centered lexicon. Reflecting the author’s life-long dedication to semantics and syntax, this book is a paradigm-shifting contribution to language studies whose originality and daring will make it essential reading for linguists, anthropologists, semioticians, and computational linguists.

A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.

In its comprehensive analysis of a wide range of primary and secondary sources in both Chinese and Western languages, this authoritative work stands as the definitive study of the theory, implementation and legacy of the Chinese Communist Party's thought-remolding campaign. This decades-long campaign involved the extraction of confessions from millions of Chinese citizens suspected of heterodoxy or disobedience to party dictates, along with their subjection to various forms of "re-education" and indoctrination. Hu Ping's carefully structured overview provides a valuable insider's perspective, and supersedes the previous landmark study on this vastly interesting topic.

Brando "Good Life News" Interview Joe: ..."The Master Painter" describe the book tell us what it's about. Brando: It's actually a novel that contains Villains, Cowboys, and Indians and takes place out here in Arizona. Joe: Excellent Brando: My Grandfather he was kind of the inspiration for that, he was an artistic man and he lived here in a small town in Arizona for 100 years, he just died this past February. He was the inspiration for my novel and for the title "The Master Painter". The Master Painter was actually an Apache trained painter and they deal with some spiritual arts, not everything that you see meets the eye. Joe: Right. Brando: So there is some intrigue there in the book, a young boy becomes his apprentice and it's taking place during 1931 which was the year of the Great Depression and a lot of businesses were closing people were losing their homes and the nation was in an economic crisis. In the book the Master Painter paints a magical painting which the young boy the apprentice can reach into and take out as much wealth as he needs whenever he needs it he describes it as taking a cold drink of water from a mountain stream that's never ending. Joe: Excellent Brando: There are of course the cunning villains who are trying to steal the painting. There's a comedy duo team which I attribute to Laurel and Hardy or Abbott and Costello which try to help the apprentice locate the Master Painters painting after he mysteriously disappears. Joe: Excellent, excellent. Brando: There are also a few science fiction parts thrown in there with some creatures that call themselves, "The Watchers of Prisoners" so there are a lot of elements in this book which people might find interesting Joe.