Queenstown, County Cork, Ireland. April 1916. Sixteen-year-old Harp Devereaux is growing up in a country in turmoil. Her mother Rose is struggling to navigate single parenthood, run the Cliff House, and stay out of the way of the authorities. Harp's uncle, Ralph Devereaux, has only one thing on his mind. The port of Queenstown bustles with activity as people traverse the Atlantic either in search of new lives on foreign shores or returning to old familiar ones in Ireland. The Cliff House is fast gaining a reputation as a wonderful place to stay, and the business is going from strength to strength. Rose and Harp have turned their fortunes around and for the first time they are prosperous and independent. But all is not well. Civil and military unrest across the country in the wake of the Easter Rising is threatening to bubble over, and everyone is on edge. The British soldiers are making their presence felt in unpleasant ways, and the return of Ralph Devereaux to what he sees as his ancestral home is poses a serious threat. Just as they are managing the situation, a series of unforeseen events places both Harp and her mother in grave peril. Ralph suddenly holds all the power and is not afraid to wield it. They desperately need help, and there's only one place they can go to get it... -- Amazon.com

Daniel Hill will never forget the day he heard these words: "Daniel, you may be white, but don't let that lull you into thinking you have no culture. White culture is very real. In fact, when white culture comes in contact with other cultures, it almost always wins. So it would be a really good idea for you to learn about your culture." Confused and unsettled by this encounter, Hill began a journey of understanding his own white identity. Today he is an active participant in addressing and confronting racial and systemic injustices. And in this compelling and timely book, he shows you the seven stages to expect on your own path to cultural awakening. It's crucial to understand both personal and social realities in the areas of race, culture, and identity. This book will give you a new perspective on being white and also empower you to be an agent of reconciliation in our increasingly diverse and divided world.

Queenstown, County Cork, IrelandApril 1912 Twelve-year-old Harp Delaney is an unusual child, quiet and intelligent far beyond her years. She would rather spend her days in the library of the grand Georgian house that she sees as her home than playing on the streets with other children. Her mother, Rose, is the reserved and ladylike housekeeper at the Cliff House. The local women envy her grace and poise while the men admire her beauty. She behaves not as a servant should, but as someone who belongs at the ancestral home of eccentric loner Henry Devereaux. Nobody ever visits the Cliff House, but Harp, Rose and Henry have a happy life together, each accepting the idiosyncrasies of the others. The day Titanic sails from Queenstown, taking with it the hopes and dreams of so many, Harp's life too is devastated. The small port town is shaken to its foundations at the loss of the unsinkable ship, but the revelation of a long-held secret means that Harp and Rose have a much more pressing issue to solve, one that could destroy them if they cannot find a solution. Unexpectedly, fate takes a hand, and mother and daughter find themselves thrown a lifeline, one that inextricably links them to the stories of men, women and children for whom Queenstown was the last-ever sight of Ireland as they sailed away to new lands and new lives. Last Port of Call is the first book in The Queenstown Series.

The award-winning life story of Wales national poet and vicar R.S. Thomas is “a biography touched by genius.” (Craig Brown, Mail on Sunday) R.S. Thomas is widely considered as one of the twentieth-century’s greatest English language poets. His bitter yet beautiful collections on Wales, its landscape, people and identity, reflect a life of political and spiritual asceticism. Indeed, Thomas is a man who banned vacuum cleaners from his house on grounds of noise, whose first act on moving into an ancient cottage was to rip out the central heating, and whose attempts to seek out more authentically Welsh parishes only brought him more into contact with loud English holidaymakers. To Thomas’s many admirers this will be a surprising, sometimes shocking, but at last humanising portrait of someone who wrote truly metaphysical poetry. “A masterpiece.” —Daily Express “A striking, vivid and tender reading of the man . . . Excellent.” —Observer “Riotiously funny.” —Rowan Williams, Sunday Times “It is precisely Byron Rogers’ darkly comic sense of the ridiculous that melts the frost from the head of R.S. Thomas and humanizes a remote and bleakly beautiful writer.” —The Times “A chatty, disorderly but extremely good [biography] . . . A wonderfully comprehensive picture of the man.” —Daily Telegraph “As revealing an account of a severely private person that anyone could hope to achieve.” —Alan Brownjohn, Times Literary Supplement “Engagingly high-spirited and daring.” —Andrew Motion, Guardian Book of the Week “Charming and deftly written. . . . A very funny book.” —Literary Review “As readable and rounded a life of the man as could be written.” —Tablet Winner of the James Tait Black prize for biography

New York Times bestselling author Jacqueline West makes her YA debut in this Shakespeare-inspired novel for fans of Holly Black and Laini Taylor "If you liked the trippy hallucinations of Black Swan, you'll be mesmerized by Jacqueline West's eerie new YA romance."—Entertainment Weekly Who can you trust when you can't trust yourself? Jaye wakes up from a skiiing accident with a fractured skull, a blinding headache, and her grip on reality sliding into delusion. Determined to get back to her starring role in the school production of A Midsummer Night's Dream, Jaye lies to her sister, her mom, her doctors. She's fine, she says. She's fine. If anyone knew the truth—that hallucinations of Shakespeare and his characters have followed her from her hospital bed to the high school halls—it would all be over. She's almost managing to pull off the act when Romeo shows up in her anatomy class. And it turns out that he's 100 percent real. Suddenly Jaye has to choose between lying to everyone else and lying to herself. Troubled by this magnetic boy, a long-lost friend turned recent love interest, and the darkest parts of her family's past, Jaye's life tangles with Shakespeare's most famous plays until she can't tell where the truth ends and pretending begins. Soon, secret meetings and dizzying first kisses give way to more dangerous things. How much is real, how much is in Jaye's head, and how much does it matter as she flies toward a fate over which she seems to have no control?