In this guide to the University of Iowa’s architecture, revised and updated to reflect the numerous changes following the 2008 flood, John Beldon Scott and Rodney P. Lehnertz discuss and illustrate an ensemble of buildings whose stylistic diversity reflects the breadth of Iowa’s contributions to research, education, and creative activities. Current students and their parents, alumni, and professional and amateur architecture enthusiasts will appreciate this informative tour of the university’s distinctive campus.

In this guide to the University of Iowa’s architecture, revised and updated to reflect the numerous changes following the 2008 flood, John Beldon Scott and Rodney P. Lehnertz discuss and illustrate an ensemble of buildings whose stylistic diversity reflects the breadth of Iowa’s contributions to research, education, and creative activities. Current students and their parents, alumni, and professional and amateur architecture enthusiasts will appreciate this informative tour of the university’s distinctive campus.

Many books have been written about the University of Chicago over its 120-year history, but most of them focus on the intellectual environment, favoring its great thinkers and their many breakthroughs. Yet for the students and scholars who live and work here, the physical university—its stately buildings and beautiful grounds—forms an important part of its character. Building Ideas: An Architectural Guide to the University of Chicago explores the environment that has supported more than a century of exceptional thinkers. This photographic guide traces the evolution of campus architecture from the university’s founding in 1890 to its plans for the twenty-first century. When William Rainey Harper, the university’s first president, and the trustees decided to build a set of Gothic quadrangles, they created a visual link to European precursors and made a bold statement about the future of higher education in the United States. Since then the university has regularly commissioned forward-thinking architects to design buildings that expand—or explode—traditional ideals while redefining the contemporary campus. Full of panoramic photographs and exquisite details, Building Ideas features the work of architects such as Frank Lloyd Wright, Henry Ives Cobb, Holabird & Roche, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Viñoly, César Pelli, Helmut Jahn, and Tod Williams Billie Tsien Architects. The guide also includes guest commentaries by prominent architects and other notable public figures. It is the perfect collection for Chicago alumni and students, Hyde Park residents and visitors, and anyone inspired by the institutional ideas and aspirations of architecture.

Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.

This book explores the impact of papal nepotism on the visual arts of seventeenth-century Rome through an examination of the painted vaults of Palazzo Barberini, the family palace of the foremost patron of the High Baroque, Pope Urban VIII (1623-1644). The study focuses on the intersection of art and power in the ceiling paintings commissioned by Urban's nephews in the 1620s and 1630s to adorn their new palace. Viewed against the backdrop of the changing social codes and power relationships that characterized the ferment of Rome in this period, Palazzo Barberini stands as a remarkable document asserting the divine sanction of that family's emergence. The author presents a new analytical approach for appraising the form and content of ceiling imagery, allowing for a thorough assessment of the painted scenes that functioned as vehicles of the social and political agenda of the Barberini. The vast fresco painted by Pietro da Cortona in the palace salone--the largest ceiling painting in Rome since Michelangelo's Sistine Ceiling--and Andrea Sacchi's Divine Wisdom fresco receive major consideration for their novel pictorial illusionism and their poetic symbolism. These principal components of the Barberini Palace cycle embody the definitive statement of Baroque allegory as a mode of optical and intellectual persuasion. Propagandistic purpose here finds exalted theo-political expression. In sum, this study undertakes to define the linkage between art patronage and social aspirations in the last great age of papal nepotism and to establish within this societal context a new means for grasping the technical and iconographic novelties of Roman Baroque ceiling painting.