Racial and gender inequities persist among college students, despite ongoing efforts to combat them. Students of color face alienation, stereotyping, low expectations, and lingering racism even as they actively engage in the academic and social worlds of college life. The Unchosen Me examines the experiences of African American collegiate women and the identity-related pressures they encounter both on and off campus. Rachelle Winkle-Wagner finds that the predominantly white college environment often denies African American students the chance to determine their own sense of self. Even the very programs and policies developed to promote racial equality may effectively impose “unchosen” identities on underrepresented students. She offers clear evidence of this interactive process, showing how race, gender, and identity are created through interactions among one’s self, others, and society. At the heart of this book are the voices of women who struggle to define and maintain their identities during college. In a unique series of focus groups called “sister circles,” these women could speak freely and openly about the pressures and tensions they faced in school. The Unchosen Me is a rich examination of the underrepresented student experience, offering a new approach to studying identity, race, and gender in higher education.

Katharyn Blair crafts a fiercely feminist fantasy with a horrifying curse, swoon-worthy sea captains, and the power of one girl to choose her own fate in this contemporary standalone adventure that's perfect for fans of The Fifth Wave and Seafire, and for anyone who has ever felt unchosen. For Charlotte Holloway, the world ended twice. The first was when her childhood crush, Dean, fell in love—with her older sister. The second was when the Crimson, a curse spread through eye contact, turned the majority of humanity into flesh-eating monsters. Neither end of the world changed Charlotte. She’s still in the shadows of her siblings. Her popular older sister, Harlow, now commands forces of survivors. And her talented younger sister, Vanessa, is the Chosen One—who, legend has it, can end the curse. When their settlement is raided by those seeking the Chosen One, Charlotte makes a reckless decision to save Vanessa: she takes her place as prisoner. The word spreads across the seven seas—the Chosen One has been found. But when Dean’s life is threatened and a resistance looms on the horizon, the lie keeping Charlotte alive begins to unravel. She’ll have to break free, forge new bonds, and choose her own destiny if she has any hope of saving her sisters, her love, and maybe even the world. Because sometimes the end is just a new beginning.

Kay, Debbie, and Ellen are best friends and share the same experiences of being the "have-nots" and "undesirables."

An exploration of Hasidic Jews struggling to live within their restrictive communities—and, in some cases, to carve out a new life beyond them When Hella Winston began talking with Hasidic Jews in Brooklyn for her doctoral dissertation in sociology, she was surprised to be covertly introduced to Hasidim unhappy with their highly restrictive way of life and sometimes desperately struggling to escape it. Unchosen tells the stories of these “rebel” Hasidim, serious questioners who long for greater personal and intellectual freedom than their communities allow. She meets is Malky Schwartz, who grew up in a Lubavith sect in Brooklyn, and started Footsteps, Inc., an organization that helps ultra-Orthodox Jews who are considering or have already left their community. There is Yossi, a young man who, though deeply attached to the Hasidic culture in which he was raised, longed for a life with fewer restrictions and more tolerance. Yossi's efforts at making such a life, however, were being severely hampered by his fourth grade English and math skills, his profound ignorance of the ways of the outside world, and the looming threat that pursuing his desires would almost certainly lead to rejection by his family and friends. Then she met Dini, a young wife and mother whose decision to deviate even slightly from Hasidic standards of modesty led to threatening phone calls from anonymous men, warning her that she needed to watch the way she was dressing if she wanted to remain a part of the community. Someone else introduced Winston to Steinmetz, a closet bibliophile worked in a small Judaica store in his community and spent his days off anxiously evading discovery in the library of the Conservative Jewish Theological Seminary, whose shelves contain non-Hasidic books he is forbidden to read but nonetheless devours, often several at a sitting. There were others still who had actually made the wrenching decision to leave their communities altogether. In her new Preface, Winston discusses the passionate reactions the book has elicited among Hasidim and non-Hasidim alike. Named one of Publishers Weekly's Ten Best Religion Books of 2005. Honorable Mention in the 2012 Casey Medals for Meritorious Journalism

There was a clash of perspectives in the nineteenth century when the British tried repeatedly to establish themselves in Afghanistan across the tribal belt between the Sikh Kingdom (later absorbed into British India) and Afghanistan. They encountered a lot of opposition from the local people, who considered it a religious duty to resist them. The terrain was such that no military conclusion could be reached. Some tribes recognized that change was inevitable, but some remained hostile till the end. Abdul Hakim remained steady in his opposition, regardless of the odds against him. He was defeated in a final skirmish through a series of surprising events. Defeat and the knowledge that his eldest son had joined the British army, served to demoralize him in his retirement, but he opposed the British in another way, by encouraging the establishment of a gun-making cottage industry in the region.

In 2016, award-winning Minnesota-based photographer R. J. Kern made portraits of youth contestants at Minnesota county fairs. Each participant—some as young as four years old—had spent a year raising an animal, which they had then entered into a 4-H livestock competition. None of the youths who sat for him had succeeded in winning an award, despite the obvious care they had given to their animals. The Unchosen Ones depicts the bloom of youth and the mettle of the kids who grow up on farms, reminding us how resilient children can be when confronted with life's inevitable disappointments. The formal qualities of the lighting and setting endow these young people with a gravitas beyond their years, revealing self-directed dedication in some, and in others, perhaps, the pressures of traditions imposed upon them. Kern's beautiful portraits capture a particular America, a rural world, and a time in life when the layered emotions of youth are laid bare. Four years later, in 2020, Kern returned to photograph his young subjects. The most recent photographs show how the children have grown into adolescence or young adulthood: some of them have continued to pursue animal husbandry, while others have developed other interests. It is likely that some of these kids will not choose to continue running their family farms—an unpredictable and demanding way to make a living. These diptychs are punctuated by lush landscapes of the farms that are their homes. As Kern made the second group of photographs, he asked his young subjects what they had carried forward from their previous experience. What were their thoughts, their dreams, and their goals for the future? How would they fit into the future of agricultural America?

'They say you never get over your first love and in my case, they were right. But, typically greedy, my first love was a whole race of people - the Jews.' Bristling with strong opinions and fizzing with wit, Julie Burchill narrates the story of how a chance discovery of her father's copy of a World at War magazine about the holocaust kindled an obsessive love that still sustains her today. The book follows the course of this affair from her days as a rock journalist pretending to be Jewish, through her volatile marriage to a Jewish man, her public spats with anti-Israel writers, her dislike.