In this collection of natural-history essays, biologist Joan Maloof embarks on a series of lively, fact-filled expeditions into forests of the eastern United States. Through Maloof’s engaging, conversational style, each essay offers a lesson in stewardship as it explores the interwoven connections between a tree species and the animals and insects whose lives depend on it—and who, in turn, work to ensure the tree’s survival. Never really at home in a laboratory, Maloof took to the woods early in her career. Her enthusiasm for firsthand observation in the wild spills over into her writing, whether the subject is the composition of forest air, the eagle’s preference for nesting in loblolly pines, the growth rings of the bald cypress, or the gray squirrel’s fondness for weevil-infested acorns. With a storyteller’s instinct for intriguing particulars, Maloof expands our notions about what a tree “is” through her many asides—about the six species of leafhoppers who eat only sycamore leaves or the midges who live inside holly berries and somehow prevent them from turning red. As a scientist, Maloof accepts that trees have a spiritual dimension that cannot be quantified. As an unrepentant tree hugger, she finds support in the scientific case for biodiversity. As an activist, she can’t help but wonder how much time is left for our forests.

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The Trees. They arrived in the night: wrenching through the ground, thundering up into the air, and turning Adrien's suburban street into a shadowy forest. Shocked by the sight but determined to get some answers, he ventures out, passing destroyed buildings, felled power lines, and broken bodies still wrapped in tattered bed linens hanging from branches. It is soon apparent that no help is coming and that these trees, which seem the work of centuries rather than hours, span far beyond the town. As far, perhaps, as the coast, where across the sea in Ireland, Adrien's wife is away on a business trip and there is no way of knowing whether she is alive or dead. When Adrien meets Hannah, a woman who, unlike him, believes that the coming of the trees may signal renewal rather than destruction and Seb, her technology-obsessed son, they persuade him to join them. Together, they pack up what remains of the lives they once had and set out on a quest to find Hannah's forester brother and Adrien's wife--and to discover just how deep the forest goes. Their journey through the trees will take them into unimaginable territory: to a place of terrible beauty and violence, of deadly enemies and unexpected allies, to the dark heart of nature and the darkness--and also the power--inside themselves.

'Heather Christle's poems may well be one of the places readers turn when they want to know what it was like to be young and paying attention in the early 21st century . . . Her poems are wide awake' Mark Doty In The Trees The Trees, each new line is a sharp turn toward joy and heartbreak, and each poem unfolds like a bat through the wild meaninglessness of the world.

Harriet Norton won't stop crying. Her parents, Ann and Thomas, are being driven close to insanity and only one thing will help. Mysteriously, their infant daughter will only calm when she's under the ancient trees of Bleasdale forest.The Nortons sell their town-house and set up home in an isolated barn. Secluded deep in the forest, they are finally approaching peace - until one night a group of men comes through the trees, ready to upend their lives and threaten everything they've built. Into the Trees is the story of four dispossessed people, drawn to the forest in search of something they lack and finding their lives intertwining in ways they could never have imagined. In hugely evocative and lyrical writing, Robert Williams lays bare their emotional lives, set against the intense and mysterious backdrop of the forest. Compelling and haunting, Into the Trees is a magisterial novel.

Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! "Father, is all of the world a refugee camp?" Young Kalia has never known life beyond the fences of the Ban Vinai Refugee Camp. The Thai camp holds many thousands of Hmong families who fled in the aftermath of the little-known Secret War in Laos that was waged during America's Vietnam War. For Kalia and her cousins, life isn't always easy, but they still find ways to play, racing with chickens and riding a beloved pet dog. Just four years old, Kalia is still figuring out her place in the world. When she asks what is beyond the fence, at first her father has no answers for her. But on the following day, he leads her to the tallest tree in the camp and, secure in her father's arms, Kalia sees the spread of a world beyond. Kao Kalia Yang's sensitive prose and Rachel Wada's evocative illustrations bring to life this tender true story of the love between a father and a daughter.