This study by Hélène Monsacré shows how Western ideals of inexpressive manhood run contrary to the poetic vision of Achilles and his warrior companions presented in the Homeric epics. Pursuing the paradox of the tearful fighter, Monsacré examines the interactions between men and women in the Homeric poems.

WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.

Menis means more than an individual's emotional response. On the basis of the epic exemplifications of the word, Muellner defines the term as a cosmic sanction against behavior that violates the most basic rules of human society. Virtually absent from the Odyssey, the term menis appears in the Iliad in conjunction with the enforcement of social rules, especially the rules of reciprocal exchange. To understand the way menis functions, Muellner invokes the concept of tabu developed by Mary Douglas, stressing both the power and the danger that accrue to a person who violates such rules. Transgressive behavior has both a creative and a destructive aspect.

Reprint of the original, first published in 1865. Translated into English Verse in the Spenserian Stanza.

This book seeks to restore Homer to his rightful place among the principal figures in political and moral philosophy.

A lively, literary exploration of one of the West's most iconic cultural figures—the athlete Why is the athlete so important to us? Few public figures can dominate the public imagination with such power and authority. Even in our cynical times, when celebrities can be debunked at the speed of light, many still look to athletes as models for our moral and emotional lives. An aging fastballer goes for a few last wins in his final season, and he becomes an exemplar for our daily struggles against time. A top golfer cheats on his wife, and his behavior sparks a symposium on marital fidelity more wideranging than if the lapse had come from a politician or religious leader. Drawing from art, literature, politics, and history, Something Like the Gods explores the powerful grip the athlete has always held on the Western imagination. Amidon examines the archetype of the competitor as it evolved from antiquity to the present day, from athlete-warriors such as Achilles and Ulysses to global media icons like Ali, Jordan, and Tiger Woods. Above all, Something Like the Gods is a lyrical study that will appeal to anyone who has ever imagined themselves in the spikes, boots, or sneakers of our greatest athletes—or wondered why people do.