The Tapestry of Death. More medieval mystery for people who laugh. England 1067: Briston the weaver has been murdered – in a very special way – and it is up to his old friend Wat to avenge his death. Brother Hermitage will naturally support his companion in the quest, but the young monk worries as the number of suspects keeps rising. He's never been good with crowds. When events take a turn for the truly bizarre, Hermitage and Wat find themselves up to their Saxon socks in people who want them dead, people who want one another dead and people who seem to want everyone dead. They must find a missing maiden, placate a giant killer and reveal the awful secret of the Tapestry of Death before matters are resolved. Resolved largely unsatisfactorily, but then that's life. With a monk, tradesmen, priests, Normans and Saxons, The Tapestry of Death should be a solid, traditional medieval who-done-it, but it isn't. Really, it isn't. Authentic and accurate representation of the time? Barely. Historically informative? Certainly not. Hilarious and very silly? Now you're getting warm. Critical analysis of the work of Howard of Warwick: “His writing is crisp, riotously funny, and he weaves a masterful little mystery that will leave you crying for more!” “Like Brother Cadfael visits Discworld.” “I would recommend this to anyone who loves a good story! It is so hard to wait until the new books come out!” Compared to Monty Python, Carry On films, Terry Pratchett ...and Winnie the Pooh! If you're looking for a serious historical mystery with all the usual trappings, look elsewhere. If you're hoping for characters who are knowledgable beyond their time and talk like a history book, prepare to be disappointed. If you're after a tale of a monk hopelessly out of his depth and a weaver who is really rather naughty, this is the book for you.

Medieval mystery the Howard of Warwick way; funny! Now also a book. Available where all good books gather together. England 1067: Henri de Turold, King William's favourite hunting companion has been murdered. How anyone actually did it, given the remarkably personal nature of the fatal wound, is a bit of a mystery. Lord Robert Grosmal, of disordered mind, disordered castle and Henri's host at the time, knows that King William gets very tetchy when his friends are murdered. He sends to the nearby monastery of De'Ath's Dingle for a monk to investigate. Medieval monks are usually good at this sort of thing. Brother Hermitage is a medieval monk but he's not very good at this sort of thing. Motivated by the point of a sword he and his companion Wat the weaver set off to solve the crime. Oh, by the way King William is arriving that night so they better get a move on. Brother Hermitage's second criminal investigation reveals many things. Improvement is not among them. If you are looking for a poignant evocation of the medieval world, an insightful exploration of the characters of the time, buy a different book. Ellis Peters is quite good. After this debacle he even has another go in The Tapestry of Death. Out now on Kindle What has been said of "The Heretics of Death" 'I laughed 'till I cried,' 5* 'medieval hysterical mystery – must read!' 5* 'buy this book. It is cheap and it will make you laugh ' 5* 'I don't think I'm the target audience,' 1* 'Hermitage you're an idiot' Prior Athan of De'ath's Dingle.

A compelling historical murder mystery set amongst the artists in seventeenth-century Paris. For fans of C.J. Sansom and S.J. Parris. 'A rich and achingly beautiful novel' - Carol McGrath (author of the Daughters of Hastings trilogy) on An Artist in Her Own Right. Paris, 1676. When a body washes up on the banks of the Bièvre river, a young woman finds herself embroiled in an intricate murder case. At first it seems mere coincidence that the dead man was discovered outside the Royal Manufactory of the Gobelins, home to a community of artists and craftsmen. He was not one of them, after all. But Anne-Marie, a sculptor's wife, soon realises that the victim may well be known within the walls of the Gobelins - and that the killer might be amongst them. With the police apparently disinterested, it is a mystery that is hers alone to solve. Anne-Marie's investigations will take her from the unsavoury slums of the Ile Notre-Dame to the grand ducal residences of the Place Royale. But who can she truly trust on the streets of Paris? Readers LOVED An Artist in Her Own Right: 'A wonderful blend of fact and fiction that I literally read in two sittings' 'Alive with action and colour' 'The ebb and flow of relationships, between family members and artists, are beautifully conceived and nuanced' 'Wonderful imaginative detail'

The national bestselling hit hailed by the New York Times as a "vibrant medieval mystery...[it] outdoes the competition." In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again.

“Superb...an appropriate homage”—Marilyn Stasio, New York Times The much-anticipated final installment in Ariana Franklin’s popular Mistress of the Art of Death historical mystery series, finished by the author’s daughter after her death. England. 1191. After the death of her friend and patron, King Henry II, Adelia Aguilar, England’s vaunted Mistress of the Art of Death, is living comfortably in retirement and training her daughter, Allie, to carry on her craft—sharing the practical knowledge of anatomy, forensics, and sleuthing that catches murderers. Allie is already a skilled healer, with a particular gift for treating animals. But the young woman is nearly twenty, and her father, Rowley, Bishop of Saint Albans, and his patron, the formidable Queen Eleanor of Aquitaine, have plans to marry Allie to an influential husband . . . if they can find a man who will appreciate a woman with such unusual gifts. When a friend in Cambridgeshire falls ill, Allie is sent to Ely, where her path will cross with Lord Peverill, a young aristocrat who would be a most suitable match for the young healer. But when Allie arrives, all is chaos. A village girl has disappeared—and she’s not the first. Over the past few months, several girls from the villages surrounding Ely have vanished. When the body of one of the missing is discovered, Allie manages to examine the remains before burial. The results lead her to suspect that a monstrous predator is on the loose. Will her training and her stubborn pursuit of the truth help her find the killer...or make her the next victim? A richly detailed, twisty thriller, Death and the Maiden is historical mystery at its finest—and a superb final episode in Ariana Franklin’s much-loved, much-acclaimed series.