In the 1960s an epic battle was waged between the two biggest bands in the world—the clean-cut, mop-topped Beatles and the badboy Rolling Stones. Both groups liked to maintain that they weren’t really “rivals”—that was just a media myth, they politely said—and yet they plainly competed for commercial success and aesthetic credibility. On both sides of the Atlantic, fans often aligned themselves with one group or the other. In Beatles vs. Stones, John McMillian gets to the truth behind the ultimate rock and roll debate. Painting an eye-opening portrait of a generation dragged into an ideological battle between Flower Power and New Left militance, McMillian reveals how the Beatles-Stones rivalry was created by music managers intent on engineering a moneymaking empire. He describes how the Beatles were marketed as cute and amiable, when in fact they came from hardscrabble backgrounds in Liverpool. By contrast, the Stones were cast as an edgy, dangerous group, even though they mostly hailed from the chic London suburbs. For many years, writers and historians have associated the Beatles with the gauzy idealism of the “good” sixties, placing the Stones as representatives of the dangerous and nihilistic “bad” sixties. Beatles vs. Stones explodes that split, ultimately revealing unseen realities about America’s most turbulent decade through its most potent personalities and its most unforgettable music.

The longtime bass player for the Rolling Stones combines firsthand reminiscences with personal memorabilia to provide an insider's look at four decades or rock 'n' roll history.

When a woman caught in the act of adultery was thrown down at Jesus’ feet, the bloodthirsty crowd filled their hands with rocks and demanded she be put to death. That confrontation still reverberates in our lives today. Surely we can relate with the shame of the woman and her exposed sin. Unfortunately, we can also relate with the hypocritical crowd, reveling in the rejection of “the other.” But can we fully relate with Christ, the God who intervened to save her? For those who’ve become wary of tired and sometimes even offensive Christian dogmatism, Carlos Rodríguez may be the spark that ignites the flames of faith in the true Jesus. He tells it like it is, with a desire to motivate those who feel ready to engage the world around them, not through political or religious agendas, but through grace and love. Drop the Stones invites followers of Jesus to drop their religious rocks, and, with open hands, engage in the rewarding lifestyle of a Jesus-styled love.

Published in association with North Atlantic Books, Berkeley, California.

A roman à clef about racism, identity, and bohemian living amidst the tensions and violence of Algerian War-era France, and one of the earliest published accounts of the Paris massacre of 1961. As a teenager, Simeon Brown lost an eye in a racist attack, and this young African American journalist has lived in his native Philadelphia in a state of agonizing tension ever since. After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, he makes new friends, and soon he has fallen in love with a Polish actress who is a concentration camp survivor. At the same time, however, Simeon begins to suspect that Paris is hardly the racial wonderland he imagined: The French government is struggling to suppress the revolution in Algeria, and Algerians are regularly stopped and searched, beaten, and arrested by the French police, while much worse is to come, it will turn out, in response to the protest march of October 1961. Through his friendship with Hossein, an Algerian radical, Simeon realizes that he can no longer remain a passive spectator to French injustice. He must decide where his true loyalties lie.