The internationally bestselling novel by the author of A Kiss Before Dying, The Boys from Brazil, and Rosemary's Baby With an Introduction by Peter Straub For Joanna, her husband, Walter, and their children, the move to beautiful Stepford seems almost too good to be true. It is. For behind the town's idyllic facade lies a terrible secret -- a secret so shattering that no one who encounters it will ever be the same. At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

The sequel to the New York Times bestseller Rosemary's Baby: a thrilling, cautionary tale of the troubling forces that war within each of us. The modern master of suspense Ira Levin returns to the horror of his 1967 groundbreaking novel Rosemary's Baby with this darkly comic sequel set at the dawn of the millennium. Thirty-three years ago, Rosemary gave birth to the Devil's child while under the control of a satanic cult of witches. Now the year is 1999, and humanity dreads the approaching twenty-first century, desperately in search of a savior for this troubled world. in New York City, rosemary's son Andy is believed to be that savior. But is he the force of good his followers accept him to be? Or is he his father's son? Rosemary and Andy will be reunited in a battle of wills that shall decide the fate of humanity—and keep readers on the edge of the seats until the final page.

This compact guide covers a wide variety of terms commonly used in academic discussions of poetry, fiction, drama, rhetoric, and literary theory. Definitions are kept concise; examples are abundant. The coverage ranges from traditional topics through to recent scholarship, and the straightforward entries aim to enable students to learn new terms with confidence. The pocket glossary brings together entries from a variety of Broadview publications—including The Broadview Anthology of British Literature and The Broadview Anthology of Short Fiction—and adds a number of new entries.

The women of Stepford are not all that they seem... All the beautiful people live in idyllic Stepford, Connecticut, an affluent, suburban Eden populated with successful, satisfied hubbies and beautiful, dutiful wives. For Joanna Eberhart, newly arrived with her husband and two children, it all seems too good to be true - from the sweet Welcome Wagon lady to all those cheerful, friendly faces in the supermarket checkout lines. But just beneath the town's flawless surface, something is sordid and wrong - something abominable with roots in the local Men's Association. And it may already be too late for Joanna to save herself from being devoured by Stepford's hideous perfection.

'The Stepford Wives' (1975) occupies an unusual position in cinematic history. As is often the case with cult texts, the film was both a box office flop and widely misunderstood on release. Intended as a feminist diatribe, it was derided by Betty Friedan, whose 1963 book 'The Feminine Mystique' it literalised. Even Ira Levin, author of the novel from which the film was adapted, concedes he was less than enthused with the filmed version. Despite this, the term 'Stepford wife' has become idiolect for a particular kind of one-dimensional, upper-middle class woman who is figuratively, and to some extent literally, an automation. Indeed, one does not need to have seen or even heard of the film or Levin's book to be familiar with the concept. This study finally gives 'The Stepford Wives' the serious scholarly attention it deserves.