Published to accompany an exhibition held at the San Francisco Museum of Modern Art, May 21-Sept. 6, 2011, the Reunion des Musees Nationaux-Grand Palais, Paris, Oct. 3, 2011-Jan. 16, 2012, and the Metropolitan Museum of Art, New York, Feb. 21-June 3, 2012.

"An Ahmanson-Murphy fine arts book"--P. [4] of cover.

Published to accompany an exhibition held at the San Francisco Museum of Modern Art, May 21-Sept. 6, 2011, the Reunion des Musees Nationaux-Grand Palais, Paris, Oct. 3, 2011-Jan. 16, 2012, and the Metropolitan Museum of Art, New York, Feb. 21-June 3, 2012.

In 1906, Harriet Levy was talked into moving to Paris by her friend Alice B. Toklas and suddenly found herself immersed in a strange world peopled by artists who spoke a language she could not understand--a colorful world that she could only remotely observe in black and white. Paris Portraits is a short masterpiece. This sparkling manuscript, long hidden in the archives of the University of California's Bancroft Library, brings to life a vibrant and mythic time and place. Through Harriet's eyes, we circulate among the artists and patrons in the salons of Gertrude and Sarah Stein, overhear conversations between the up-and-coming Matisse and his students, and see Gertrude Stein's reaction when she learns of Picasso putting his hand on Toklas's knee. We're present when, while reading the poetry of Tagore, Harriet looks up and for the first time, sees--really sees and understands with the heart--what Matisse is doing.

Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, from childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, and virtually orphans, they lived together for almost forty years, collaborating in one of the great artistic and literary adventures of the twentieth century. Sister Brother tells the story of that adventure and relationship. With a personality that drew people toward her?regardless of what they thought of her inventive, hermetic prose?Gertrude Stein dazzled and perplexed. Enigmatic, intelligent, and self-absorbed, Leo also dazzled but in his own way. One of the crucial figures in Gertrude?s early years, he was the original guiding spirit of the famed salon at 27 rue de Fleurus, which continued for almost two decades. From her early days as a medical student to her first days in Paris, Gertrude was passionately driven toward the career in which she distinguished herself, demanding appreciation as an exceptional writer who knew precisely what she intended. This book shows how Gertrude slowly struggled with what became a unique voice?and why her brother spurned it. ø With its wealth of new and rare material, its reconstruction of Leo?s famed art collection, and its array of characters?from Bernard Berenson to Pablo Picasso?this biography offers the first glimpse into the smoldering sibling relationship that helped form two of the twentieth century?s most unusual figures.

From 1941 to 1943, the Jewish American writer and avant-garde icon Gertrude Stein translated for an American audience thirty-two speeches in which Marshal Philippe Petain, head of state for the collaborationist Vichy government, outlined the Vichy policy barring Jews and other "foreign elements" from the public sphere while calling for France to reconcile with its Nazi occupiers. Why and under what circumstances would Stein undertake such a project? The answers lie in Stein's link to the man at the core of this controversy: Bernard Faÿ, her apparent Vichy protector. Barbara Will outlines the formative powers of this relationship, treating their interaction as a case study of intellectual life during wartime France and an indication of America's place in the Vichy imagination.

Published in conjunction with an exhibition organized by the Baltimore Museum of Art, the Jewish Museum, New York, and the Vancouver Art Gallery and held at the Jewish Museum, New York, May 6-Sept. 25, 2011 and at the Vancouver Art Gallery.