New York Times Bestseller Ever wonder how politics turned into a take-no-prisoners blood sport? The New York Times bestselling author of Stonewalled pulls back the curtain on the shady world of opposition research and reveals the dirty tricks those in power use to influence your opinions. Behind most major political stories in the modern era, there is an agenda; an effort by opposition researchers, spin doctors, and outside interests to destroy an idea or a person. The tactic they use is the Smear. Every day, Americans are influenced by the Smear without knowing it. Paid forces cleverly shape virtually every image you cross. Maybe you read that Donald Trump is a racist misogynist, or saw someone on the news mocking the Bernie Sanders campaign. The trick of the Smear is that it is often based on some shred of truth, but these media-driven "hit pieces" are designed to obscure the truth. Success hinges on the Smear artist’s ability to remain invisible; to make it seem as if their work is neither calculated nor scripted. It must appear to be precisely what it is not. Veteran journalist Sharyl Attkisson has witnessed this practice firsthand. After years of being pitched hit jobs and puff pieces, she’s an expert at detecting Smear campaigns. Now, the hard-hitting investigative reporter shares her inside knowledge, revealing how the Smear takes shape and who its perpetrators are—including Clinton confidant Sidney Blumenthal and, most influential of all, "right-wing assassin turned left-wing assassin" (National Review) political operative David Brock and his Media Matters for America empire. Attkisson exposes the diabolical tactics of Smear artists, and their outrageous access to the biggest names in political media—operatives who are corrupting the political process, and discouraging widespread citizen involvement in our democracy.

A vivid, powerful anthology of poems by and for young women, giving voice to a new generation of international poets, with themes of feminism, empowerment, resilience, confidence, and integrity. SMEAR: Poems For Girls presents a curated, all-female lineup of poets from different countries and addresses issues of trauma, survivorship, independence, and body positivity. As described on Dazed.com: "The poetry collection celebrating the imperfect, frank woman, SMEAR is chronicling the voices of women, unapologetically confronting self-image, body autonomy and our relationships with each other." The first North American edition of SMEAR will include an expanded selection of poems from international woman poets.

Every mistake is an opportunity to make something beautiful. This is the central idea of Beautiful Oops!, Barney Saltzberg’s beloved bestseller—and now My Book of Beautiful Oops!, an interactive journal for young artists, takes that principle into unexpected new directions. A hands-on journal that’s meant to be personalized—drawn in, painted on, torn up, smudged, or otherwise artistically wrecked—My Book of Beautiful Oops! is filled with folded, crumpled, die-cut, and lift-the-flap pages that will challenge the reader’s sense of play. The friendly green alligator from the first book prompts the reader: Bend a page. Decorate a smudge. Play with splats and spills. Even complete a poem that was accidentally ripped in half. My Beautiful Book of Oops! champions imagination, play, and the courage to express oneself. It’s about self-forgiveness, about turning off that inner critic that clamors for perfection. And it’s about freedom—the freedom to be creative and follow your curiosity wherever it goes. That’s a lesson to celebrate.

This book offers clear, up-to-date guidance on how to report cytologic findings in cervical, vaginal and anal samples in accordance with the 2014 Bethesda System Update. The new edition has been expanded and revised to take into account the advances and experience of the past decade. A new chapter has been added, the terminology and text have been updated, and various terminological and morphologic questions have been clarified. In addition, new images are included that reflect the experience gained with liquid-based cytology since the publication of the last edition in 2004. Among more than 300 images, some represent classic examples of an entity while others illustrate interpretative dilemmas, borderline cytomorphologic features or mimics of epithelial abnormalities. The Bethesda System for Reporting Cervical Cytology, with its user-friendly format, is a “must have” for pathologists, cytopathologists, pathology residents, cytotechnologists, and clinicians.

This atlas is a full-color, spiralbound manual of Gram-stained direct smears for medical technologist and medical laboratory technician students and practitioners, microbiologists, pathologists, infectious disease specialists, and anyone who interprets Gram-stained specimens. Featuring over 250 clear photomicrographs taken from actual patient specimens, the manual presents a simple, easy-to-use format; brief legends accompany each image. Three introductory chapters cover Gram-stain procedures, quality control, evaluation, and more. An invaluable reference and educational tool, this manual is effective both as a standalone text and as an accompaniment to Marler, Siders and Allen's Direct Smear Atlas CD-ROM (Lippincott Williams & Wilkins, 1998).

New writings on our fear of—and fascination with—the “other” from Joyce Carol Oates, Peter Straub, Kelly Link, Jeffrey Ford, and more. Alien is a powerful and flexible word. Aliens are “other.” Aliens are the stuff of science fiction and fantasy. Aliens are traditional literary figures that cause us to see ourselves anew. Indeed, when we witness our “normal” lives through these strangers’ eyes, we become the unfamiliar ones. Conjunctions:67, Other Aliens collects works of speculative and literary science fiction: innovative short stories, poetry, interviews, letters, and essays that explore the vast precincts of unfamiliarity, keen difference, weirdness, and not belonging. This provocative issue includes contributions from an all-star lineup, including Leena Krohn, Jeffrey Ford, Julia Elliott, John Crowley, Laura Sims, Valerie Martin, Lavie Tidhar, Samuel R. Delany, Matthew Baker, Paul Park, James Tiptree Jr., Michael Parrish Lee, Peter Straub, Kelly Link, Madeline Bourque Kearin, Jean Muno, Jonathan Thirkield, John Clute and John Crowley, Joyce Carol Oates, S. P. Tenhoff, Brian Evenson, Jessica Reed, E. G. Willy, and James Morrow.

This book is a revisionist biography of Harold Wilson. The authors assert that, although Wilson was previously perceived as a villain and egotist, unexamined subtext now shows that his behaviour was intelligible and intelligent and that he was one of the cleverest men of his generation.