One of The New York Times Book Review’s 10 Best Books of the Year Winner of the Los Angeles Times Book Prize (History) The Sleepwalkers: How Europe Went to War in 1914 is historian Christopher Clark’s riveting account of the explosive beginnings of World War I. Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict. Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks. Meticulously researched and masterfully written, Christopher Clark’s The Sleepwalkers is a dramatic and authoritative chronicle of Europe’s descent into a war that tore the world apart.

A chilling and masterfully crafted teen horror novel guaranteed to keep the pages turning, the mind reeling, and the lamp on any reader's bedside table on long after midnight. Privileged and popular Caleb Mason is celebrating his high school graduation when he receives a mysterious, disturbing letter from his long-lost childhood playmate, Christine. Caleb and his jokester friend Bean decide to travel to his tiny hometown of Hudsonville, Florida, to find her. Upon arrival, they discover the town has taken a horrifying turn for the worse. Caleb's childhood home is abandoned and his father has disappeared. Children are going missing. The old insane asylum has reopened, and Christine is locked inside. Her mother, a witch, is consumed with madness, and Christine's long-dead twin sister whispers clues to Caleb through the static of an a.m. radio. The terrifying prophesies of the spirits are coming to pass. Sixteen clocks are ticking; sixty-six murdered souls will bring about the end of the world. As Caleb peels back layer after layer of mystery, he uncovers a truth more horrible than anything he had imagined, a truth that could only be uttered by the lips of the dead.

The Sleepwalkers live in sleep and save dreamers from their nightmares. The current Sleepwalkers are ready to retire, but they must first recruit and train their replacements.

Of all the family gatherings in her childhood, one stands out in Amina's memory. It is 1979, in Salem India, when a visit to her grandmother's house escalates into an explosive encounter, pitching brother against brother, mother against son. In its aftermath, Amina's father Thomas rushes his family back to their new home in America. And while at first it seems that the intercontinental flight has taken them out of harm's way, his decision sets off a chain of events that will forever haunt Thomas and his wife Kamala; their intellectually furious son, Akhil and the watchful young Amina. Now, twenty years later, Amina receives a phone call from her mother. Thomas has been acting strangely and Kamala needs her daughter back. Amina returns to the New Mexico of her childhood, where her mother has always filled silences with food, only to discover that getting to the truth is not as easy as going home. Confronted with Thomas's unwillingness to talk, Kamala's Born Again convictions, and the suspicion that not everything is what it seems, Amina finds herself at the centre of a mystery so tangled that to make any headway, she has to excavate her family's painful past. And in doing so she must lay her own ghosts to rest.

First published in the US in 1932, The Sleepwalkers is about three protagonists "sleepwalking", that is, living between vanishing and emerging ethical systems just as the somnambulist exists in a state between sleeping and waking. Together they present a panorama of German society and its progressive deterioration of values that culminated in defeat and collapse at the end of World War I. The novel explores what Broch described as "the loneliness of the I" in its three parts. The protagonists of the first two parts of the book are represented as holding to certain sets of values. Broch describes the struggles they undergo as their codes for living, or values, prove inadequate to the realities of the social environment they find themselves in. Joachim von Pasenow in the first part is "the romantic". In the second part, August Esch tries to live according to the motto "business is business". Eventually, in the third part, the amoral Huguenau's only standard for behavior is his personal profit. He follows this maxim in all his actions, swindling and murdering without remorse. Ultimately, he reaches a point of zero values without remorse and his dealings bring him finally to the zero point of values. Although Broch doesn't hold Huguenau up as someone to admire, he does present him as the inevitable harbinger of fascism. As one reviewer noted, "His characters are sleepwalkers because their own lives are shaped by the forces of the nightmare reality in which they live."

Is it still a crime if you commit it in your sleep? Ethan Barret is on trial for attempted murder. The problem is, he doesn't remember doing it. His hands committed the crime, but he was asleep the whole time. Ethan Barret is also only twelve years old. Gordon Pope is down on his luck. He was one of the best child-psychiatrists in the country before his divorce. Now he's broke, bored, and spiraling into depression. He agrees to be an expert witness in Ethan's case because he needs the extra cash for drinking money. What he doesn't know is that he's about to be thrown into a race against time to save the boy, and himself, before it's too late for both of them. The Sleepwalkers is a riveting thriller that will change the way you think about sleep--and dreams--forever.