IF THE GOSPEL IS THE GREATEST STORY EVER TOLD, THEN WHY DON'T CHRISTIANS TELL THE WHOLE STORY?It's all too prevalent in the 21st century American church to find a Gospel that begins and ends with the cross. And with it, God's whole story is forgotten among Christians who have lost the context of their faith in Jesus. This same one-dimensional Gospel has kept the Church from embracing its full calling and finding hope in its future. This book lays out the whole Gospel in six easy-to-remember symbols. Each symbol reveals part of the whole narrative of God''s love for His creation.

Symbols of the Christian Faith is an illustrated guide to the major visual symbols used by the Christian church throughout history. These stylized illustrations, designed by artist Alva William Steffler, are intended to provide usable, up-to-date resources for contemporary church worship and Christian education. Throughout church history symbols have been used to aid worship and to communicate difficult spiritual ideas. Steffler here collects these symbols, from early Christian catacomb art to the present, offering fresh graphic interpretations of old visual forms. The accompanying text notes the biblical sources for the various symbols and traces their use in church tradition and their links to Greco-Roman culture. Extensive glossaries and indexes round out the book. Broadly inclusive and sensitive to the perspectives of every church tradition, this volume will be an invaluable resource for churches using Christian art as well as for general readers curious about the meaning of common Christian symbols.

This volume examines Johannine symbolism within the lens of Jesus' relationship with the Father. After demonstrating that the Gospel narrative symbolically portrays Jesus as the Son of God who is relationally inseparable from his Father, the study shows how the Son-Father Relationship (SFR) is at the center of the network of Christological symbols in the Gospel of John. Using an innovative narrative framework, this book unveils the creative and symbolic introduction of the SFR in the Prologue (Jn. 1. 1-18), its development through the words and actions of Jesus' teaching ministry within the Johannine narrative, and its culmination in the Prayer (Jn. 17); the SFR motif then concludes in the remainder of the Gospel. This narrative framework reveals how the SFR shapes the literary style and theological strategy of the Gospel, and acts as an integrative force by giving structure and cohesion to the Gospel's symbolic system. Two key features presented in this book are a theory of symbolism and a network of symbols. The specially formulated 'Theory of Johannine Symbolism' explains the theoretical and theological underpinnings of the Gospel's symbolic network, called 'John's Christological Symbology'. Through the symbolic network, the author of the Gospel fulfills the theological purpose stated in Jn. 20:31-that hearer-readers believe in Jesus the Christ, as the Son of God, and thereby experience eternal life.

This colorful book looks both beyond the church building and deep within it to find symbols relevant to Judeo-Christianity.

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

Revised and enlarged papers from a conference held July 30-Aug. 1, 2005, in Eisenach, Germany, with additional contributions.