The Serpent of Stars (Le serpent d¢étoiles, 1993; reprinted 1999 Grasset) takes place in rural southern France in the early part of the century. The novel’s elusive narrative thread ties landscape to character to an expanse just beyond our grasp. The narrator encounters a shepherding family and glimpse by glimpse, each family member and the shepherding way of life is revealed to us. The novel culminates in a large shepherds’ gathering where a traditional Shepherd’s Play—a kind of creation myth that includes in its cast The River, The Sea, The Man, and The Mountain—is enacted. The work’s proto-environmental world view as well as its hybrid form—part play, part novel—makes The Serpent of Stars astonishingly contemporary. W.S. Merwin’s "Green Fields" begins, "By this part of the century few are left who believe/in the animals for they are not there in the carved parts/of them served on plates and the pleas from slatted trucks..." This novel leaves the reader believing not only in the animals, but the terrain they are part of, the people who tend them, and the life all these elements together compose.

Saving the multiverse is no game in this New York Times bestseller! When the Demon Queen shows up in her bedroom, smelling of acid and surrounded by evil-looking bees, twelve-year-old Kiranmala is uninterested. After all, it's been weeks since she last heard from her friends in the Kingdom Beyond, the alternate dimension where she was born as an Indian princess. But after a call to action over an interdimensional television station and a visit with some all-seeing birds, Kiran decides that she has to once again return to her homeland, where society is fraying, a terrible game show reigns supreme, and friends and foes alike are in danger. Everyone is running scared or imprisoned following the enactment of sudden and unfair rules of law.However, things are a lot less clear than the last time she was in the Kingdom Beyond. Kiran must once again solve riddles and battle her evil Serpent King father -- all while figuring out who her true friends are, and what it really means to be a hero.

John Anthony West's revolutionary reinterpretation of the civilization of Egypt challenges all that has been accepted as dogma concerning Ancient Egypt. In this pioneering study West documents that: Hieroglyphs carry hermetic messages that convey the subtler realities of the Sacred Science of the Pharaohs. Egyptian science, medicine, mathematics, and astronomy were more sophisticated than most modern Egyptologists acknowledge. Egyptian knowledge of the universe was a legacy from a highly sophisticated civilization that flourished thousands of years ago. The great Sphinx represents geological proof that such a civilization existed. This revised edition includes a new introduction linking Egyptian spiritual science with the perennial wisdom tradition and an appendix updating West's work in redating the Sphinx. Illustrated with over 140 photographs and line drawings.

A scientific investigation and personal adventure story about zombis and the voudoun culture of Haiti by a Harvard scientist. In April 1982, ethnobotanist Wade Davis arrived in Haiti to investigate two documented cases of zombis—people who had reappeared in Haitian society years after they had been officially declared dead and had been buried. Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti—from the African origins of its people to the successful Haitian independence movement, down to the present day, where vodoun culture is, in effect, the government of Haiti’s countryside. The Serpent and the Rainbow combines anthropological investigation with a remarkable personal adventure to illuminate and finally explain a phenomenon that has long fascinated Americans.

Since Matthew Delooze's encounters with interdimensional beings during his childhood, and a spiritual awakening in 1998, he has been directed by mysterious forces. In 2005 he found himself being guided to visit Egypt, specifically the Temple of Hathor at Dendera. The astonishing photographs he took there suggest that we were ruled then by a race of reptilian aliens. Matthew believes that those reptilian aliens, that he calls the Serpent Cult, still rules us today, using their human puppets to deceive us into surrendering our spiritual self-possession. He draws parallels betweenancient Egyptian gods, the Live 8 concerts, monuments in our towns and cities and the imagery in the Pope's regalia to show us how. He also suggests how you, the reader, can awaken from you trance and reclaim your true spiritual legacy. "This is the absolute biscuit-taking, breathtaking, apoplectic fit-inducing, high point of conspiracy theories. It has everything, Freemasons, Knights Templar, Illuminati, Serpent Cults... symbolism galore." Richard Arcos

It is the beginning of the end ... The end of the axe-age, the sword-age, leading to the passing of gods and men from the universe. As all the ancient prophecies fall into place, the final battle rages, on Earth, across Faerie, and into the land of the dead. Jack Churchill, Champion of Existence, must lead the Brothers and Sisters of Dragons in a last, desperate assault on the Fortress of the Enemy, to confront the ultimate incarnation of destruction: the Burning Man. It is humanity's only chance to avert the coming extinction. At his back is an army of gods culled from the world's great mythologies - Greek, Norse, Chinese, Aztec, and more. But will even that be enough? Driven to the brink by betrayal, sacrifice and death, his allies fear Jack may instead bring about the very devastation he is trying to prevent ...

Jack Churchill, archaeologist and dreamer, walks out of the mist and into Celtic Britain more than two thousand years before he was born, with no knowledge of how he got there. All Jack wants is to get home to his own time where the woman he loves waits for him. Finding his way to the timeless mystical Otherworld, the home of the gods, he plans to while away the days, the years, the millennia, until his own era rolls around again . . . but nothing is ever that simple. A great Evil waits in modern times and will do all in its power to stop Jack’s return. In a universe where time and space are meaningless, its tendrils stretch back through the years. Through Roman times, the Elizabethan age, Victoria’s reign, the Second World War, and the Swinging Sixties, the Evil sets its traps to destroy Jack. Mark Chadbourn gives us a high adventure of dazzling sword fights, passionate romance, and apocalyptic wars in the days leading up to Ragnarok, the End-Times: a breathtaking, surreal vision of twisting realities where nothing is quite what it seems.