The senses in interior design examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors. The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic décors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.

What if we designed for all of our senses? Suppose for a moment that sound, touch, and odor were treated as the equals of sight, and emotion considered as important as cognition. What would our built environment be like if sensory response, sentiment, and memory were critical design factors, the equals of structure and program? In Sensory Design, Joy Monice Malnar and Frank Vodvarka explore the nature of our responses to spatial constructs--from various sorts of buildings to gardens and outdoor spaces, to constructions of fantasy. To the degree that this response can be calculated, it can serve as a typology for the design of significant spaces, one that would sharply contrast with the Cartesian model that dominates architecture today. In developing this typology, the authors consult the environmental sciences, anthropology, psychology, and architectural theory, as well as the spatial analysis found in literary depiction. Finally, they examine the opportunities that CAVE and other immersive virtual reality technologies present in furthering a new, sensory-oriented design paradigm. The result is a new philosophy of design that both celebrates our sensuous occupation of the built environment and creates more humane design. A revolutionary approach to the built environment that embraces all of our senses and modes of understanding.

Using beautiful color photographs of the interiours of exceptional homes across the country that look good and feel right, Catherine Bailly Dunne demonstrates creative and easy ways to decorate for all five senses in our own homes. According to Dunne, a truly integrated home engages every sense. Stressing that interior design is more than a superficial concern, that it can help you "design your life," Dunne connects with a generation that yearns to understand the emotional needs of a healthy family and passionately believes that the home is a mirror of the soul. She enthusiastically teaches how anyone can decorate a home to celebrate a family's creativity and passion for life.

A powerful reminder to anyone who thinks design is primarily a visual pursuit, The Senses accompanies a major exhibition at the Cooper-Hewitt Smithsonian Design Museum that explores how space, materials, sound, and light affect the mind and body. Learn how contemporary designers, including Petra Blaisse, Bruce Mau, Malin+Goetz and many others, engage sensory experience. Multisensory design can solve problems and enhance life for everyone, including those with sensory disabilities. Featuring thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses, this book is a call to action for multisensory design practice. The Senses: Design Beyond Vision is mandatory reading for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization, or anyone seeking the widest possible understanding of design. The book, designed by David Genco with Ellen Lupton, is edited by Lupton and curator Andrea Lipps. Includes essays by Lupton, Lipps, Christopher Brosius, Hansel Bauman, Karen Kraskow, Binglei Yan, and Simon Kinnear.

The Touch is a new collaboration between Nathan Williams of Kinfolk and Jonas Bjerre-Poulsen of Norm Architects that welcome readers into over 25 inspiring spaces where interior design is not only visually appealing but engages all of the human senses. Through beautiful homes, hotels, museums, and retail stores--from contemporary designs by Ilse Crawford and Bijoy Jain to classic cases by Arne Jacobsen--readers are invited to explore how experiencing elements such as light, nature, materiality, color, and community can deliberately bring us back to our senses and imbue every day with a richer quality. In addition to stunning photography and interviews with design industry leaders as John Pawson and David Thulstrup, the book also details philosophical and art history references that reflect the tradition of design and color theory. For a deeper understanding of the concepts explored, The Touch includes an appendix which profiles architects such as Lina Bo Bardi and Richard Neutra. Heritage design pieces that helped influence this movement are also listed in the book. The Touch--Spaces Designed for the Senses by Kinfolk & Norm Architects. Published by gestalten.

The first book from the acclaimed Atlanta interior designer, known for elegantly collected interiors. Beth Webb believes that regardless of who we are or what kind of style we prefer, beauty and comfort are paramount for any home. Because each room is an environment, her design elevates the everyday by speaking to the five senses. In this lavishly illustrated book, Webb explores the fundamentals of creating a home in which every element we see and touch, and how the room makes us feel, enhance our ability to live well. Drawing from her background in the fine arts, Webb offers insight into how form, line, and scale render a space timeless and promote a sense of well-being. There should be texture, calm colors, and plenty of visual moments to keep the eye moving. There should be impeccable tailoring and polished details. And most important, there should be soul, meaning that the house must reflect its owners and their evolving lifestyle. Webb gracefully shares ideas, images, and stories illustrating these principles throughout this rich visual resource and design reference.

If you think Hawaiian interiors begin and end with floral patterns and a little rattan, think again. Hawaii's best designed rooms exude warmth and comfort while protecting privacy and giving artistic expression to their inhabitants. First in every islander's mind is a love of their natural surroundings and a desire to connect to the environment. Situated in the middle of the Pacific Ocean, Hawaii has for centuries been inspired by the cultures of the Pacific Rim, influenced by both Asia and the United States. Hawaii's leading interior designer, Mary Philpotts McGrath, shows you how to get an easy, stylish island look. Peek inside the homes of many of her firm's clients and her good friends. She shows that Hawaiian design is timeless, with a connection to place that transcends fads and fashions.