This is not a reading or interpretation of French literature of the Classical period, as it is a repertory of the assumptions on which writers wrote, poets and painters depicted, critics judged, connoisseurs knew, and the public tasted. The book is divided into two parts. The first is made up of critical articles, the second biographical and bibliographical sketches of some of the major and minor writers who produced essays, articles, or books that may be classified as aesthetics or criticism.

Richard A. Brooks, general editor, v.

Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

In this study of the epistemological underpinnnigs of cultural changes in the French enlightenement, the author shows how many of the cultural changes brought about by Eighteenth century French thinkers arose from the different forms of knowledge and experiences they pursued. The various chapters illustrate the rich interdisciplinarity of the period's thinking, which is unified by a central concern with the mind, and discuss important Enlightenment developments in aesthetics, historiography, metaphysics, anthropology, langugage and literature, political theory and medicine.