Though much beloved and widely produced, Molière's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Molière's theater, as many have done, Larry F. Norman takes seriously Molière's claim that his satires are first and foremost effective theater. Pairing close readings of Molière's comedies with insightful accounts of French social history and aesthetics, Norman shows how Molière conceived of satire as a "public mirror" provoking dynamic exchange and conflict with audience members obsessed with their own images. Drawing on these tensions, Molière portrays characters satirizing one another on stage, with their reactions providing dramatic conflict and propelling comic dialogue. By laying bare his society's system of imagining itself, Molière's satires both enthralled and enraged his original audience and provide us with a crucial key to the classical culture of representation.

Sarah Vida is a witch and a vampire hunter — and a loner. Christopher Ravena is a vampire trying to pass as a normal high school student who wants to know Sarah better. Drawn to him despite her better judgment, Sarah’s forced to admit that there’s room for gray in her otherwise black-and-white world of good versus evil — until she meets Nikolas, Christopher’s twin and one of the most hunted vampires in history.

She begins with an intriguing tour through the history of the mirror, from its origins in prehistory right up to the present. With the help of 200 spectacular photographs, she demonstrates the many remarkable ways in which mirror has been used over the past three centuries to transform spaces of every size and shape. Using dozens of examples, ranging from the Palace at Versailles to a modern shoe store in New York City, she describes techniques developed by architects and designers to alter perspectives and change the way people respond to both private and public spaces. Ms. Heyne explores the use of mirror in a variety of settings - from bedrooms, living rooms, exercise rooms, and nurseries, to restaurants, lobbies, clothing stores, and hospitals. She offers valuable technical advice on the uses and misuses of mirror in a wide variety of settings and summarizes what is known about the psychological impact of mirror in each setting.

Central to the study is the relevance of media actors as actors in civil society for the European integration process. This relevance is empirically assessed, making use of a selection of print media from two founding members of the European Union, Germany and the Netherlands, analysing the path-dependency of journalistic coverage and reporting along two questions: Is the focus on and evaluation of the 'European Project' and its different aspects in Germany and the Netherlands alike, or does it differ? How do traditional political and societal perspectives affect opinion formation in the media? The country comparison draws on the neo-institutional school of thought. The large corpus of newspaper content (articles and commentary) has been assessed quantitatively as well as qualitatively searching for major issues, motives, and discourses in temporal perspective. The last major treaties of the European integration process, the so called Constitutional Treaty and Reform Treaty, serve as temporal starting and endpoint for analysis. Anne-Dörte Balks, M.A./M.Sc., studied European Studies (focus: political science) at the University of Osnabrück, Westfälische Wilhelms-Universität Münster, and the University of Twente (Enschede, NL). Her research interest is on the discourse on European integration in European societies and media. She currently works as Personal Assistant to the Vice President International at Freie Universität Berlin.

Reproduction of the original: The Mirror of Taste by Samuel James Arnold