Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense. Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is torn. A Papal edict forbids Jews from rendering medical treatment to Christians, but his payment is enough to ransom her husband Isaac, who has been captured at sea. Can she refuse her duty to a woman who is suffering? Hannah’s choice entangles her in a treacherous family rivalry that endangers the child and threatens her voyage to Malta, where Isaac, believing her dead in the plague, is preparing to buy his passage to a new life. Told with exceptional skill, The Midwife of Venice brings to life a time and a place cloaked in fascination and mystery and introduces a captivating new talent in historical fiction.

Hannah Levi, a Jewish midwife, must decide if she will accept payment for delivering a countess' baby, as she is torn between breaking a Papal edict forbidding Jews from providing medical care to Christians and her desperate need to ransom her husband from pirates.

At midnight, the dogs, cats, and rats rule Venice. The Ponte di Ghetto Nuovo, the bridge that leads to the ghetto, trembles under the weight of sacks of rotting vegetables, rancid fat, and vermin. Seeping refuse on the streets renders the pavement slick and the walking treacherous. It was on such a night that the men came for Hannah. Hannah Levi is famed throughout Venice for her skills as a midwife but, as a Jew, the law forbids her from attending a Christian woman. However, when the Conte appears at her door in the dead of night, Hannah's compassion is sorely tested. And with the handsome reward he is offering, she could ransom back her husband, currently imprisoned on the island of Malta. But if she fails in her endeavours to save mother and child, will she be able to save herself, let alone her husband?

An opulent, riveting, and suspenseful continuation of the thrilling historical novel The Midwife of Venice set in medieval Constantinople. AN OPULENT, CAPTIVATING, AND SUSPENSEFUL HISTORICAL NOVEL FROM THE AUTHOR OF THE THRILLING INTERNATIONAL BESTSELLER THE MIDWIFE OF VENICE The Imperial Harem, Constantinople, 1578. Hannah and Isaac Levi, Venetians in exile, have overcome unfathomable obstacles to begin life anew in the Ottoman Empire. He works in the growing silk trade, and she, the best midwife in the capital, tends to the hundreds of women in Sultan Murat III’s lively and infamous harem. One night, Hannah is unexpectedly sum­moned to the extravagant palace and confronted with Leah, a Jewish peasant girl who was violently abducted. The sultan favors Leah as his next conquest and wants her to produce his heir, but if the spirited girl fails an important test, she faces a terrible fate. Taken by Leah’s tenacity, Hannah risks everything to help her. But as Hannah agonizes over her decision, an enchanting stranger arrives from afar to threaten her peaceful life with Isaac, and soon Leah too reveals a dark secret that could condemn them both. Filled with adventure and vivid detail and peopled with memorable charac­ters, The Harem Midwife showcases Roberta Rich’s boundless talent for cap­turing readers’ imaginations.

The thrilling conclusion to the #1 national bestselling historical trilogy by Roberta Rich. In The Midwife of Venice, set in 1575, Hannah Levi was forced to flee Venice with the baby of a Venetian aristocratic family whom she rescued. Roberta Rich followed that action-packed adventure with The Harem Midwife, which exiled Hannah and her beloved husband Isaac to Constantinople--only for Hannah to become enmeshed in the shady politics of a sultan's harem. And now, with A Trial in Venice, set five years later, Hannah is forced back to Venice--both to opulent yet crumbling villas and the Jewish ghetto known as Veneto. Her beloved adopted son Matteo has been kidnapped and is in danger once more. And this time, so is Hannah. A rollicking and evocative read, peopled with beguiling, unforgettable characters (including the epic return of the troublesome and winsome Foscari and Cesca), this novel is a breathtaking follow up to The Midwife of Venice and The Harem Midwife, certain to shock and delight fans of the series and solidify Rich's reputation as one of Canada's most loved historical fiction authors.

First published in 1690, The Court Midwife made Justine Siegemund (1636-1705) the spokesperson for the art of midwifery at a time when most obstetrical texts were written by men. More than a technical manual, The Court Midwife contains descriptions of obstetric techniques of midwifery and its attendant social pressures. Siegemund's visibility as a writer, midwife, and proponent of an incipient professionalism accorded her a status virtually unknown to German women in the seventeenth century. Translated here into English for the first time, The Court Midwife contains riveting birthing scenes, sworn testimonials by former patients, and a brief autobiography.

Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangements that did not fit normative models of marriage.