It’s amazing how dominant information is in the modern world. In fact, it’s so dominant that it begs the question, “What if information does not only define and shape our world—what if it is in fact reality”? The 1999 film The Matrix and its sequels were predicated on just this idea. Of late, the sultans of Silicon Valley have become obsessed with this idea, which is known as the simulation hypothesis. Elon Musk himself has remarked, “There’s a billion-to-one chance we’re living in base reality.” Perhaps information doesn’t just define and shape our reality. Perhaps it’s entangled in the fabric of reality through the mind of the observer. Consider the philosophical thought experiment: if a tree falls in the forest and no one is there to hear it, does it make a sound? It takes a mind to experience reality. In this book, I chronicle the journey that led me to discover the missing link between science and spirituality: the information-bit. Legendary theoretical physicist John Wheeler’s “it-from-bit” theory and my own Quantum Mind model are ultimately rooted in the same thing: data. Wheeler suggested that the reality of physics —the “it”—is based on patterns of information, or “bits.” I theorize that our actions in the real world unfold in sync with the underlying information-thought blueprints that exist in our mind. Buddha once said, “The mind is everything. What you think, you become.” This bi-directional dialogue across the mind–body connection may well occur at the Planck scale, where the transition between quantum physics—the bit—and classical physics—the it—operates. But where do the mind and body meet? Purpose, which emerges from knowing oneself, unifies the wisdom of the East with the pragmatism of the West. The energy derived from what has meaning to the self is the fuel that allows individuals to manifest in the physical reality (via the body) the bit arrangement contained in the micro realm of their mind. If its point of origin is love, this route leads to inner peace and harmony and draws a vector unifying the mind, heart, and body.

Presents essays exploring the philosophical themes of the motion picture "The Matrix," which portrays a false world created from nothing but perceptions.

Pre-University Paper from the year 2010 in the subject Film Science, grade: 14,0, course: technological progress and ethics, language: English, abstract: Is is only in the last decades of the twentieth century that technology gained an important place in western society, and its development is flourishing up to the present day. Due to the rapid progress of high-tech computers and information technology the standard of living improved, and full scope can be given to our creativity, for mechanical tasks are now fulfiled by the machines. The Technological Revolution has aroused several expectations and fantasies. The seemingly utopistic idea of artificial intelligence which has moved human beings since the antiquity appeared by the midth of the twentieth century more than ever realistic. Such a promising future vision has otherwise led to anxiety and fear. What if we will, striving after power, lose it completely and get ourselves into bondage? These thoughts gave birth to anti-utopian fiction where the worst of the fears are brought into reality - intelligent machines created by human beings have made people to their slaves and rule on Earth.

THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR 'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey. Lauren Groff's modern masterpiece is about the establishment of a female utopia. 'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid, adventurous story about women and power that will blow readers' minds. Left me gasping' EMMA DONOGHUE

Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.

Brandon Scott's sage and savvy analysis of more than fifty recent popular American movies, from Dirty Harry to Robocop 2, from Pretty Woman to Thelma and Louise, opens a unique slant on American mythology. He delves into the deepest dreams and perennial tensions in American culture: wealth and poverty, race relations, moral aloneness, the superhero and the solo redeemer, violence and war, the mythical West, relations of the sexes, and fears of the future. These portrayals in turn launch him into the chief themes and mythic elements in the New Testament. In the conversation and mutual criticism that his book engenders, Scott clarifies the values that contemporary culture and the Bible might bring to each other [Publisher description].