The Marquis de Valfierno spent his life preparing to become the man who stole the Mona Lisa. We are introduced to him in Buenos Aires, where the criminal mastermind with exquisite taste in art and women has built a highly profitable business selling fake religious masterpieces to grieving widows. A botched love affair forces him to head for Mexico City, where he discovers new ventures and greater profits for his art. In Mexico, he begins to assemble the team that will move with him to Paris. He enlists such talents as those of Yves Chaudron, a master painter without a touch of creative instinct; young Miguel, a crippled street urchin; and Mme Renard, a savvy woman of many faces. Valfierno will move his team to the scene of the crime, Paris. There he is tempted by nothing more than the imminent theft of the world's most celebrated painting. He could not have anticipated that this theft would be but the beginning. The Man Who Stole the Mona Lisa is a beautifully written blend of mystery and history. Robert Noah artfully guides his readers through the turns of an intrigue-filled and delicious story.

The famous painting, Mona Lisa, describes how she was painted by Leonardo da Vinci, taken to France, hung in the Louvre Museum, was stolen and then recovered. Suggested level: junior, primary.

Leonardo da Vinci's portrait, called the Mona Lisa, is without doubt the world's most famous painting. It achieved its fame not only because it is a remarkable example of Renaissance portraiture, created by an acclaimed artistic and scientific genius, but because of its criminal history. The Mona Lisa (also called La Gioconda or La Joconde) was stolen on 21 August 1911 by an Italian, Vincenzo Peruggia. Peruggia was under the mistaken impression that the Mona Lisa had been stolen from Italy during the Napoleonic era, and he wished to take back for Italy one of his country's greatest treasures. His successful theft of the painting from the Louvre, the farcical manhunt that followed, and Peruggia's subsequent trial in Florence were highly publicized, sparking the attention of the international media, and catapulting an already admired painting into stratospheric heights of fame. This book tells the art and criminal history of the Mona Lisa. This extended essay in book form, prepared to coincide with the 100th anniversary of the 1911 theft, examines the criminal biography of Leonardo's Mona Lisa, with a focus on separating fact from fiction in the story of what is not only the most famous art heist in history, but which is the single most famous theft of all time. In the process this book also tells of Leonardo's creation of the Mona Lisa, discusses why it is so famous, and investigates two other events in its history of theft and renown. First, it examines the so-called "affaire des statuettes," in which Pablo Picasso and Guillaume Apollinaire were arrested under suspicion of involvement in the theft of the Mona Lisa. Second, there has long been a question as to whether the Nazis stole the Mona Lisa during the Second World War-a question that this book seeks to resolve. This book provides a strong introduction to the Mona Lisa and the thefts surrounding it. "Noah Charney is the Sherlock Holmes of art theft. Beyond his great sleuthing prowess, he writes with the simple grace of a novelist and the erudition of a scholar. Here his subject could be no more dramatic: the impossible-but-true story of the most famous of all paintings, the Mona Lisa. It is a tale that bounces along, implicating the likes of Apollinaire, Picasso, the Nazis, and Nat King Cole. It is easy to pick up and very hard to put down." -Mark Lamster, author of Master of Shadows: the Secret Diplomatic Career of the Painter Peter Paul Rubens "Deftly written and riveting to read." -Sidney Kirkpatrick, author of Hitler's Holy Relics "Few writers have brought the issue of art theft to the fore with the fervor of Noah Charney. With The Thefts of the Mona Lisa: On Stealing the World's Most Famous Painting, Charney has created a work that is equal parts lucid art history and thrilling true crime. Both the popular myths and the hidden truths surrounding the theft and recovery of Leonardo's seminal work provide art theft investigators and museum security directors with important lessons for solving-and preventing-art crime today." -Anthony Amore, art theft and security expert and author of Stealing Rembrandts: The Untold Stories of Notorious Art Heists All profits from the sale of the print edition of this book support the charitable activities of ARCA, the Association for Research into Crimes against Art, an international non-profit research group on art crime and cultural heritage protection.

ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER! "Unstoppable what-happens-next momentum."—Michael Connelly, #1 New York Times bestselling author "A deliciously tense read."—Ruth Ware, #1 New York Times bestselling author From award-winning crime writer and celebrated artist Jonathan Santlofer comes an enthralling tale about the 1911 theft of the Mona Lisa from the Louvre, the forgeries that appeared in its wake, and the present-day underbelly of the art world. August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now returned to the Louvre is a fake, switched in 1911. Present day: Art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger. The Last Mona Lisa is a suspenseful and seductive tale, perfect for fans of the Netflix documentaries This Is A Robbery and Made You Look and readers obsessed with the world of art heists and forgeries.

On August 22, 1911, the world was shocked by an audacious crime: Leonardo da Vinci's Mona Lisa was stolen from the Louvre. Although some people suspected subversive artists like Picasso or Apollinaire of perpetrating the theft, no arrests were made. Two years later, an Italian named Vincenzo Perugia was detained after attempting to sell the Mona Lisa to an antiques dealer in Florence -- but the mystery of the theft itself was never satisfactorily resolved.In his spellbinding novelValfierno, Martin Caparros tackles this enigma, presenting us with a fascinating criminal unable to go to his grave without divulging the details of his outrageous heist. In tantalizing conversations with an American journalist, the Marques de Valfierno sheds light on his past secrets, including his sordid origins as Bollino, son of a Buenos Aires servant woman, a man ultimately transformed into the most notorious con artist in the world. A sly and consummate entertainer, Valfierno reveals the shifting identities of the anonymous Argentine boy who has gone on to become a veritable artist, creating for himself the perfect role of wealthy aristocrat in Belle Epoque Paris as he prepares for his crime.Featuring an engaging cat-and-mouse drama and unforgettable characters, Valfierno is a brilliant fictional-ization of the greatest theft of the twentieth century, as well as a compelling psychological portrait of a true mastermind.Valfierno, Caparros's eighth novel, won the prestigious Premio Planeta award in 2004.

Turn-of-the-century Paris was the beating heart of a rapidly changing world. Painters, scientists, revolutionaries, poets -- all were there. But so, too, were the shadows: Paris was a violent, criminal place, its sinister alleyways the haunts of Apache gangsters and its cafes the gathering places of murderous anarchists. In 1911, it fell victim to perhaps the greatest theft of all time -- the taking of the Mona Lisa from the Louvre. Immediately, Alphonse Bertillon, a detective world-renowned for pioneering crime-scene investigation techniques, was called upon to solve the crime. And quickly the Paris police had a suspect: a young Spanish artist named Pablo Picasso....

His agreement to steal the Mona Lisa for J. Pierpont Morgan places Adam Worth in a struggle to outwit the French authorities, international art experts, and Morgan himself.