A New York Times BEST BOOK OF THE SUMMER A CrimeReads & Book and Film Globe BEST BOOK OF THE YEAR A Tor.com BEST BOOK OF JUNE “Truly bewitching.” —David Mitchell It is no small matter, after all, to create something—to make it so only by setting down the words. We forget the magnitude, sometimes, of that miracle. In the dead of night, shots ring out over the grounds of a sprawling English estate. The world-weary butler Eustace recognizes the gunman—his longtime employer, Mr. Crowe—and knows he must think and act quickly. Who is the man lying dead on the lawn? Who is the woman in his company? Can he clean up his master’s mess like he always has before? Or will this bring a new kind of reckoning? Mr. Crowe was once famed for his gifts—unaccountable gifts, known only to the members of a secretive order. Protected and privileged, he was courted by countesses and great men of letters. But he has long since retreated from that glittering world, living alone but for Eustace and Clara, his mysterious young ward. He has been content to live quietly, his great library gathering dust and his once magnificent gardens growing wild. He has left the past behind. Until now. Because there are rules, even for Mr. Crowe and his kind, that cannot be broken. And this single night of passion and violence will have consequences, stirring shadows from the past and threatening those he now cares for. He and the faithful Eustace will be tested as never before. So too will Clara, whose own extraordinary gifts remain hidden, even from herself. If she is to save them all, she must learn to use them quickly and unlock the secret of who she is. It is a secret beyond imagining. A secret that will change everything.

'Compulsive reading . . . rich, strange, beautiful' Helen Macdonald, author of H is for Hawk 'A strange, new and captivating look at a magical realm . . . Lavishly entertaining' Independent 'Enthralling . . . a literary feast' Stylist The world had forgotten Mr Crowe and his mysterious gifts. Until he killed the poet. He lived a secluded life in the fading grandeur of his country estate. His companions were his faithful manservant and his ward, Clara, a silent, bookish girl who has gifts of her own. Now Dr Chastern, the leader of a secret society, arrives at the estate to call Crowe to account and keep his powers in check. But it is Clara's even greater gifts that he comes to covet most. She must learn to use them quickly, if she is to save them all.

Encounters in Greek and Irish Literature brings together literary experts in two traditions and some contemporary novelists writing in them: this distinctive group includes Katy Hayes, Mia Gallagher, Deirdre Madden, Paraic O’Donnell, Christos Chrissopoulos, Panos Karnezis, Sophia Nikolaidou, and Ersi Sotiropoulos. Their work is presented in context, not only through excerpts from published and unpublished fiction, but also through eight self-reflective essays that enhance our understanding of these authors’ themes and modes. All these critical texts originate from a unique gathering of scholars and creative talent held at the Ionian University, Corfu, in October 2017, predominantly exploring Greek and Irish prose writing and the relationships between them. This volume paints a more complete picture through added scenes from drama, poetry and translation, and through considerations of the history and associations of two literatures at the edges of Europe. Translation is integral to the dialogues fostered; the selected works by the Irish and Greek writers can be read in both Greek and English, a manifestation of, and a further point in, the reception of these authors beyond Greece and Ireland. The book opens with a comprehensive introductory essay by Joanna Kruczkowska, and further insights into the creative mind and aspects of publishing are provided through a roundtable with the authors recorded at the time of the festival. This material further contributes to a remarkably structured look at the business of writing and the workings of two literary systems.

Tamara Villanueva has a certain cheerful na vet that has always helped her through rough patches. But when she goes back to her small hometown in southern Peru , that optimism is challenged. During a massive earthquake that she "s caught in while she "s there, she watches as someone murders her aunt.

The phantom was not an intruder who had vanquished Nash and his bandits! The figure was not a mysterious man, disguised in a gown with a cowl but an unusual, beautiful and powerful girl. She had personified all that was gracious, wonderful and compassionate about womanhood. Yet, she was an enigmatic and terrifying figure who practiced violent justice. "Those who ascend mountains seeking pleasure must know, that peaks can be treacherous," said Jasmin quietly. "These lecherous men heinously soared to dizzying heights. They have fallen to perilous depths." Flames flickered in her eyes as the blood of wicked men dripped from her incredible sword!

The year was 793 A.D., the day being the eight of the first month of that year. They dismembered his body into pieces, the skin clad man sobbed. The murderers dragged and carried every piece of him on the frozen ice, to the centre of the lake. They broke the ice and created a hole. He howled in despair. They threw his remains under the ice and into the waters of the dark and forbidding lake. I implore, O Almighty Creator, cried the eternal queen, for revenge and seek nothing else... ...Astrid is no more. Henceforth, my daughter, you will be known as Jasmine! Gullvieg revealed. Forever you shall remain a youthful, beautiful bloom; though one that conceals within it the wrath of a vengeful god.