This volume is the first comprehensive analysis in English of the three most important yet long-neglected women poets of twentieth-century Korea. Kim Myŏng-sun (1896-ca. 1951) was the first modern woman poet in Korea; Ko Chŏng-hŭi (1948-1991) was the first self-proclaimed feminist poet; and Kim Sŭng-hŭi (1952-) is recognized as one of Korea's first female poet-scholar-critics. Each of these poets availed herself of the power of lyric poetry to celebrate female sexuality, decry violence against women, and honor the marginalized. This book introduces their feminist visions as active chroniclers of public memory and vital participants in national and global politics and literature. By bringing these three poets before the English-reading public, this volume sheds light on the complexity of women's lives in Korea and contributes to the growing interest in modern Korean women's literature in the West.

The Life and Works of Korean Poet Kim Myŏng-sun offers an introduction to Korea’s first modern woman writer to publish a collection of creative works, Kim Myŏng-sun (1896–ca. 1954). Despite attempts by male contemporaries to assassinate her character, Kim was an outspoken writer and an early feminist, confronting patriarchal Korean society in essays, plays, poems, and short stories. This volume is the first to offer a detailed analysis in English of Kim’s poetry. The poems examined in this volume can be considered early twentieth-century versions of #MeToo literature, mirroring the harrowing account of her sexual assault, and also subversive challenges to traditional institutions, dealing with themes such as romantic free love, same-sex love, single womanhood, and explicit female desire and passion. The Life and Works of Korean Poet Kim Myŏng-sun restores a long-neglected woman writer to her rightful place in the history of Korean literature, shedding light on the complexity of women’s lives in Korea and contributing to the growing interest in modern Korean women’s literature in the West.

Available for the first time in English, Azaleas is a captivating collection of poems by a master of the early Korean modernist style. Published in 1925, Azaleas is the only collection Kim Sowol (1902-1934) produced during his brief life, yet he remains one of Korea's most beloved and well-known poets. His work is a delightful and sophisticated blend of the images, tonalities, and rhythms of traditional Korean folk songs with surprisingly modern forms and themes. Sowol is also known for his unique and sometimes unsettling perspective, expressed through loneliness, longing, and a creative use of dream imagery-a reflection of Sowol's engagement with French Symbolist poetry. Azaleas recounts the journey of a young Korean as he travels from the northern P'yongyang area near to the cosmopolitan capital of Seoul. Told through an array of voices, the poems describe the young man's actions as he leaves home, his experiences as a student and writer in Seoul, and his return north. Although considered a landmark of Korean literature, Azaleas speaks to readers from all cultures. An essay by Sowol's mentor, the poet Kim Ok, concludes the collection and provides vital insight into Sowol's work and life. This elegant translation by David R. McCann, an expert on modern Korean poetry, maintains the immediacy and richness of Sowol's work and shares with English-language readers the quiet beauty of a poet who continues to cast a powerful spell on generations of Korean readers.

Writing Women in Korea explores the connections among translation, new forms of writing, and new representations of women in Korea from the early 1900s to the late 1930s. It examines shifts in the way translators handled material pertaining to women, the work of women translators of the time, and the relationship between translation and the original works of early twentieth-century Korean women writers. The book opens with an outline of the Chosôn period (1392-1910), when a vernacular writing system was invented, making it possible to translate texts into Korean--in particular, Chinese writings reinforcing official ideals of feminine behavior aimed at women. The legends of European heroines and foreign literary works (such as those by Ibsen) translated at the beginning of the twentieth century helped spur the creation of the New Woman (Sin Yôsông) ideal for educated women of the 1920s and 1930s. The role of women translators is explored, as well as the scope of their work and the constraints they faced as translators. Finally, the author relates the writing of Kim Myông-Sun, Pak Hwa-Sông, and Mo Yun-Suk to new trends imported into Korea through translation. She argues that these women deserve recognition for not only their creation of new forms of writing, but also their contributions to Korea’s emerging sense of herself as a modern and independent nation.

Available for the first time in English, the ten short stories by modern Korean women collected here touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves "Who am I?" "Where am I going?" "What are my choices?" Each story bears colorful and compelling testimony to the life of the heroine. Some of the stories celebrate the central character’s breakaway from the patriarchal order; others expose sexual inequality and highlight the struggle for personal autonomy and dignity. Still others reveal the abrupt awakening to mid-life crises and the seasoned wisdom that comes with accepting the limits of old age. The stories are arranged in chronological order, from the earliest work by Korea’s first modern woman writer in 1917 to stories that appeared in 1995—approximately one from each decade. Most of the writers presented are recognized literary figures, but some are lesser-known voices. The introduction presents a historical overview of traditions of modern Korean women’s fiction, situating the selected writers and their stories in the larger context of Korean literature. Each story is accompanied by a biographical note on the author and a brief critical analysis. A selected bibliography is provided for further reading and research. Questioning Minds marks a departure from existing translations of Korean literature in terms of its objectives, content, and format. As such it will contribute to the growth of Korean studies, increasing the availability of material for teaching Korean literature in English, and stimulate readership of its writers beyond the confines of the peninsula.

A companion volume to the Classical Korean Poetry, this anthology provides the reader a bird's eye view of modern, 20th century Korean poetry, thus completing the sampling of the Korean poetry beginning with the 12th century through the present.