One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.

From the twice Booker-shortlisted author of The Reluctant Fundamentalist and Exit West, a story of love, loss, and rediscovery in a time of unsettling change One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew. 'A transformative tale . . . compellingly readable and strangely musical' Guardian 'With this big-hearted novel of ideas, Mohsin Hamid confronts challenging truths with insight, wisdom, and - above all else - limitless compassion' Tayari Jones, An American Marriage

'This book rewarded me with dark, dry chuckles on every page' Reni Eddo-Lodge 'Hilarious . . . This original approach to discussing race is funny, intellectual and timely' Independent 'The work of a true mastermind' Benjamin Zephaniah I learned early on that, for me as a black professional, to rise through the ranks and really attain power, I needed to adopt the most ruthless of mindsets possible: the mindset of the White Man who would tear your cheek from your face before he even considered turning his one first.

Short stories by an author who offers “shrewd, bitingly funny commentary on his own privileged class” (Time). In nine stories that move between nouveau riche Los Angeles and the working class East Coast, and strike a balance between comedy and catastrophe, Kevin Morris explores the vicissitudes of modern life. Whether looking for creative ways to let off steam after a day in court or enduring chaperone duties on a school field trip to the nation’s capital, the heroes of White Man’s Problems struggle to navigate the challenges that accompany marriage, family, success, failure, growing up, and getting older. “Kevin Morris is that rare writer who bridges the class divide, illuminating the lives of working class characters and affluent professionals with equal authenticity and insight. White Man’s Problems is a revelatory collection that marks the arrival of striking new voice in American fiction.” —Tom Perrotta “The echoes here are of a former generation of American writers—John Cheever, John Updike, Raymond Carver.” —USA Today “Life undermines the pursuit of success and status in these rich, bewildering stories . . . A finely wrought and mordantly funny take on a modern predicament by a new writer with loads of talent.” —Kirkus Reviews

Written in the tradition of works by Joan Didion, bell hooks, Toni Morrison, and Eve Ensler, this “profoundly insightful and brilliantly inciting” (Dominique Morisseau, Obie Award-winning playwright) exploration of the soul of the United States—the past, the present, and the future Kevin Powell wants for us all, through the lens and lives of three major figures: his mother, Barack Obama, and Donald Trump. Ten short years ago, Barack Obama became president of the United States, and changed the course of history. Ten short years ago, our America was hailed globally as a breathtaking example of democracy, as a rainbow coalition of everyday people marching to the same drum beat. We had finally overcome. But had we? Both the presidencies of Obama and Donald Trump have produced some of the ugliest divides in history: horrific racial murders, non-stop mass shootings, the explosion of attacks on immigrants and on the LGBTQ community, the rise of anti-Semitism and Islamophobia, a massive gap between the haves and the have-nots, and legions of women stepping forth to challenge sexual violence—and men—in all forms. In this collection of thirteen powerful essays, “Kevin Powell thoughtfully weaves together the connective tissue between gender, race, sexuality, pop culture, and sports through a series of raw, incredibly personal essays” (Jemele Hill, writer and ESPN anchor). Be it politics, sports, pop culture, hip-hop music, mental health, racism, #MeToo, or his very complicated relationship with his mother, these impassioned essays are not merely a mirror of who we are, but also who and what Powell thinks we ought to be.

In this “powerful debut novel,” an American relief worker falls in love with the Ivory Coast as the country descends into civil war (St. Louis Post-Dispatch). In an Ivory Coast village where Christians and Muslims are squaring off for war, against a backdrop of bloody conflict and vibrant African life, Jack Diaz—an American relief worker—and Mamadou, his village guardian, learn that hate knows no color and that true heroism waits where we least expect it. During lulls in the violence, Jack learns the cycles of Africa—of hunting in the rain forest, cultivating the yam, and navigating the nuances of the language; of witchcraft, storytelling, and chivalry. Despite the omnipresence of AIDS, he courts a stunning Peul girl, meets his neighbor’s wife in the darkened forest, and desperately pursues the village flirt. Still, Jack spends many nights alone in his hut, longing for love in a place where his skin color excludes him. Brimming with dangerous passions and the pressures of life in a time of war, Whiteman is a stunning debut and a tale of desire, isolation, humor, action, and fear.

A NEW YORKER “ESSENTIAL READ” A NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER, VOGUE, AND NPR “Perhaps Hamid’s most remarkable work yet … an extraordinary vision of human possibility.” –Ayad Akhtar, author of Homeland Elegies “Searing, exhilarating … reimagines Kafka’s iconic The Metamorphosis for our racially charged era.” Hamilton Cain, Oprah Daily From the New York Times-bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change. One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them.Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth--an opportunity to see ourselves, face to face, anew. In Mohsin Hamid’s “lyrical and urgent” prose (O Magazine), The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.