In the tradition of Thirteen Reasons Why and All the Bright Places, The Last Time We Say Goodbye is a deeply affecting novel that will change the way you look at life and death. From New York Times bestselling author Cynthia Hand comes a stunning, heart-wrenching novel of love and loss, which ALA Booklist called "both shatteringly painful and bright with life and hope" in a starred review. Since her brother, Tyler, committed suicide, Lex has been trying to keep her grief locked away, and to forget about what happened that night. But as she starts putting her life, her family, and her friendships back together, Lex is haunted by a secret she hasn't told anyone—a text Tyler sent, that could have changed everything.

A collection of essays, letters, and personal recollections in which Ruth Picardie records her feelings in the year before she died of breast cancer.

Suicide would appear to be the last taboo. Even incest is now discussed freely in popular media, but the suicide of a loved one is still an act most people are unable to talk about--or even admit to their closest family or friends. This is just one of the many painful and paralyzing truths author Carla Fine discovered when her husband, a successful young physician, took his own life in December 1989. And being unable to speak openly and honestly about the cause of her pain made it all the more difficult for her to survive. With No Time to Say Goodbye, she brings suicide survival from the darkness into light, speaking frankly about the overwhelming feelings of confusion, guilt, shame, anger, and loneliness that are shared by all survivors. Fine draws on her own experience and on conversations with many other survivors--as well as on the knowledge of counselors and mental health professionals. She offers a strong helping hand and invaluable guidance to the vast numbers of family and friends who are left behind by the more than thirty thousand people who commit suicide each year, struggling to make sense of an act that seems to them senseless, and to pick up the pieces of their own shattered lives. And, perhaps most important, for the first time in any book, she allows survivors to see that they are not alone in their feelings of grief and despair.

“[Art Buchwald] has given his friends, their families, and his audiences so many laughs and so much joy through the years that that alone would be an enduring legacy. But Art has never been just about the quick laugh. His humor is a road map to essential truths and insights that might otherwise have eluded us.”—Tom Brokaw When doctors told Art Buchwald that his kidneys were kaput, the renowned humorist declined dialysis and checked into a Washington, D.C., hospice to live out his final days. Months later, “The Man Who Wouldn’t Die” was still there, feeling good, holding court in a nonstop “salon” for his family and dozens of famous friends, and confronting things you usually don’t talk about before you die; he even jokes about them. Here Buchwald shares not only his remarkable experience—as dozens of old pals from Ethel Kennedy to John Glenn to the Queen of Swaziland join the party—but also his whole wonderful life: his first love, an early brush with death in a foxhole on Eniwetok Atoll, his fourteen champagne years in Paris, fame as a columnist syndicated in hundreds of newspapers, and his incarnation as hospice superstar. Buchwald also shares his sorrows: coping with an absent mother, childhood in a foster home, and separation from his wife, Ann. He plans his funeral (with a priest, a rabbi, and Billy Graham, to cover all the bases) and strategizes how to land a big obituary in The New York Times (“Make sure no head of state or Nobel Prize winner dies on the same day”). He describes how he and a few of his famous friends finagled cut-rate burial plots on Martha’s Vineyard and how he acquired a Picasso drawing without really trying. What we have here is a national treasure, the complete Buchwald, uncertain of where the next days or weeks may take him but unfazed by the inevitable, living life to the fullest, with frankness, dignity, and humor.

For ten days in March 1971, the Rolling Stones traveled by train and bus to play two shows a night in many of the small theaters and town halls where their careers began. No backstage passes. No security. No sound checks or rehearsals. And only one journalist allowed. That journalist now delivers a full-length account of this landmark event, which marked the end of the first chapter of the Stones' extraordinary career. Ain't It Time We Said Goodbye is also the story of two artists on the precipice of mega stardom, power, and destruction. For Mick and Keith, and all those who traveled with them, the farewell tour of England was the end of the innocence. Based on Robert Greenfield's first-hand account and new interviews with many of the key players, this is a vibrant, thrilling look at the way it once was for the Rolling Stones and their fans—and the way it would never be again.

The bestselling author of Hide and Gone draws us into the venomous mind games of a terrifying killer. Come into my parlor . . . For Kimberly Quincy, FBI Special Agent, it all starts with a pregnant hooker. The story Delilah Rose tells Kimberly about her johns is too horrifying to be true—but prostitutes are disappearing, one by one, with no explanation, and no one but Kimberly seems to care. Said the spider to the fly . . . As a member of the Evidence Response Team, dead hookers aren’t exactly Kimberly’s specialty. The young agent is five months pregnant—she has other things to worry about than an alleged lunatic who uses spiders to do his dirty work. But Kimberly’s own mother and sister were victims of a serial killer. And now, without any bodies and with precious few clues, it’s all too clear that a serial killer has found the key to the perfect murder . . . or Kimberly is chasing a crime that never happened. Kimberly’s caught in a web more lethal than any spider’s, and the more she fights for answers, the more tightly she’s trapped. What she doesn’t know is that she’s close—too close—to a psychopath who makes women’ s nightmares come alive, and if he has his twisted way, it won’t be long before it’ s time for Kimberly to . . . SAY GOODBYE

An exhilarating tale of darkness, love, and redemption inspired by the classic fairy tale Little Red Riding Hood and the extravagant court of Versailles, from the author of Cruel Beauty. A doomed warrior and the king's most notorious bastard must join forces to defeat a dark evil in this gorgeously intricate fantasy—perfect for fans of An Ember in the Ashes and A Court of Thorns and Roses. When Rachelle was fifteen she was good—apprenticed to her aunt and in training to protect her village from dark magic. But she was also reckless—straying from the forest path in search of a way to free her world from the threat of eternal darkness. After an illicit meeting goes dreadfully wrong, Rachelle is forced to make a terrible choice that binds her to the very evil she had hoped to defeat. Three years later, Rachelle has given her life to serving the realm, fighting deadly creatures in a vain effort to atone. When the king orders her to guard his son Armand—the man she hates most—Rachelle forces Armand to help her hunt for the legendary sword that might save their world. Together, they navigate the opulent world of the courtly elite, where beauty and power reign and no one can be trusted. And as the two become unexpected allies, they discover far-reaching conspiracies, hidden magic . . . and a love that may be their undoing. Within a palace built on unbelievable wealth and dangerous secrets, can Rachelle discover the truth and stop the fall of endless night?