Liam never knew who his father was. The town of Derry had always assumed that he was the bastard of a protestant — his mother never spoke of him, and Liam assumed he was dead. But when the war between the fallen and the fey began to heat up, Liam and his family are pulled into a conflict that they didn't know existed. A centuries old conflict between supernatural forces seems to mirror the political divisions in 1970's era Ireland, and Liam is thrown headlong into both conflicts! Only the direct intervention of Liam's real father, and a secret catholic order dedicated to fighting "The Fallen" can save Liam... from the mundane and supernatural forces around him, and from the darkness that lurks within him.

The definitive one-volume history of Israel by its most distinguished historian From its Zionist beginnings at the end of the nineteenth century through the past sixty, tumultuous years, the state of Israel has been, as van Creveld argues, "the greatest success story in the entire twentieth century." In this crisp volume, he skillfully relates the improbable story of a nationless people who, given a hot and arid patch of land and coping with every imaginable obstacle, founded a country that is now the envy of surrounding states. While most studies on Israel focus on the political, this encompassing history weaves together the nation's economic, social, cultural and religious narratives while also offering diplomatic solutions to help Israel achieve peace. Without question, this is the best one-volume history of Israel and its people.

Angelina Jolie is no stranger to the spotlight. This child actress made her silver screen debut in the film Lookin' to Get Out in 1982, alongside her Academy Award-winning father, Jon Voight. Since then, Jolie has starred in over forty movies and has won an Academy Award, three Golden Globe Awards, and two Screen Actors Guild Awards. This compelling edition covers the fascinating life of this actress, director, and philanthropist. The book delves into Jolie's childhood, her difficulty with her parents' divorce, and her evolution as an actress. Chapters also explore her work as a humanitarian, her family, and her work as a director.

From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life, (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history.

Essays and case studies exploring how filmmaking can play a role in promoting social and economic justice. Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: Documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities Legitimating, and consequently solidifying, an expanded scope for human rights Promoting the realization of social and economic right Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners’ self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film’s ideal role within the context of our ever-continuing struggle towards a more just global society.

Kosovo: the name conjures up blood: ethnic cleansing and war. This book reveals another side to the newest country in the world—a land of generous families, strong tastes and lush landscapes: a land of honey.