The Kleinian Development derives from lectures delivered at the Institute of Psychoanalysis, London, and the Tavistock Clinic (1965–78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

The Kleinian Development derives from lectures delivered at the Institute of Psychoanalysis, London, and the Tavistock Clinic (1965–78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

Part I is devoted to a chronological examination of Freud's major clinical papers. Part II undertakes a week-by-week investigation of Klein's 'The Narrative of a Child Analysis' as the basis of a critical examination of her work. Part III builds on this foundation, in order to scrutinize Bion's contributions.

All the contributors to this compilation knew Bion personally and were influenced by his work. They include: Herbert Rosenfeld, Frances Tustin, Andre Green, Donald Meltzer and Hanna Segal.Wilfred R. Bion has taken his place as one of the foremost psychoanalysts of our time, yet it is only within recent years that the impact of his achievements are being felt. His death has stilled his pen and voice but demands a restatement of his view by those who have been most influenced by him. Bion's greatness lay, not only in the odd vertices of his incredible observations, but in the resources of his epistemological vastness, his respect for truth obtained in the disciplined absence of memory and desire, and his paying such scrupulous attention to and interpreting of recombinant constructions he achieved with mental elements their functions, and their transformations. His was the Language of Achievement, which is the tongue begotten by patience. Of note is his introduction of Plato's theory of forms and Kant's categories into psychoanalytic metapsychology, to say nothing of his mathematical, group and religious theories.

The Kleinian Development derives from lectures delivered at the Institute of Psychoanalysis, London, and the Tavistock Clinic (1965–78). It is divided into three volumes that examine, in turn, the writings of Sigmund Freud, Melanie Klein, and Wilfred Bion.

What is care? The Care Factory consists of six essays, each of which is an invitation to the reader to form an opinion on what care happens to be. Each chapter looks at care in a different setting, and a variety of psychoanalytic frameworks are employed on which to hang arguments. The eponymous first chapter investigates undergraduate courses in nursing and midwifery that have care on the syllabus. Is it possible to teach care? What if the person teaching care is not someone who cares? The second chapter is ‘Banquet of Crumbs’. If care can be experienced in any setting and at any time, is there anything that happens to those who care that we might regard as generic? What does caring do to the practitioners who care? The focus of ‘The Breaking of Wings’ is prisons and secure settings for children and adolescents. How do such institutions endorse and exhibit care? In ‘Nostalgia’s Engine’, the focus is on the care generated by successful group assimilation and the manufacture of nostalgia. Using the example of the punk movement of the 1970s, this chapter describes how organisations offer their participants communities of care, irrespective of their outward appearance of hostility. ‘Caring for Our Creations’ is about writing, and about one’s responsibilities for what one drafts into existence. This chapter is not so much about a narrative of care as the care of a narrative. Finally, ‘Take Care: A Coda’ represents a lesson on how one cares for oneself in an atmosphere of tension and bereavement anxiety.

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