A violent murder casts suspicions on the unsavory members of a small Massachusetts community's police force as well as its newest member, a returned citizen with a shadowy past who engaged in unusual investigative activities during his off hours. By the author of Prince of Thieves. Reprint. 35,000 first printing.

novella-length Celtic fantasy romance (22,200 words; 90 pages if released in print) BLURB: One must die so the other can live. A werewolf and a time traveler's carnal attraction becomes a curse when she arrives in medieval England to kill him for turning against his time-travel brotherhood. He must guard a relic. She doesn't care if she gets in his way. Druid Elspeth is a were-assassin sent to Cumberland to kill a renegade time guardian. She never expected to find him her soul mate. All she knows is she must stop Aidan Gordon from changing history. The sexy powerful knight proves too tempting to refuse. If his noble actions convince her he was wrongly accused, she will be forced to haunt the frenzied wood under THE SPELL OF THE KILLING MOON.

The city burned beneath the Dreaming Moon. In the ancient city-state of Gujaareh, peace is the only law. Upon its rooftops and amongst the shadows of its cobbled streets wait the Gatherers - the keepers of this peace. Priests of the dream-goddess, their duty is to harvest the magic of the sleeping mind and use it to heal, soothe . . . and kill those judged corrupt. But when a conspiracy blooms within Gujaareh's great temple, Ehiru - the most famous of the city's Gatherers - must question everything he knows. Someone, or something, is murdering dreamers in the goddess' name, stalking its prey both in Gujaareh's alleys and the realm of dreams. Ehiru must now protect the woman he was sent to kill - or watch the city be devoured by war and forbidden magic. Dreamblood DuologyThe Killing MoonThe Shadowed Sun For more from N. K. Jemisin, check out: The Inheritance Trilogy The Hundred Thousand KingdomsThe Broken KingdomsThe Kingdom of Gods The Inheritance Trilogy (omnibus edition) Shades in Shadow: An Inheritance Triptych (e-only short fiction) The Awakened Kingdom (e-only novella) The Broken Earth series The Fifth SeasonThe Obelisk Gate

Private investigator Ross Marshall has a special talent for tracking—a talent that has helped him locate missing persons when the police’s trail has gone cold. Now his current case has led him to a body buried in an isolated rural area—and a serial killer who is looking for a new victim. But while gathering evidence for the police, something goes very wrong… The last thing genetic researcher Megan Sheridan expected was to discover her client shot and unconscious. Ross Marshall had requested her lab to run genetic tests on him, but instead of taking a blood sample, Megan found herself tending his wounds. Although frightened by the secrets she knows he is hiding, Megan is compelled to him by a force she can’t explain—or resist. Ross tries to deny the ancient instincts clamoring for him to take Megan as his mate, for to do so would sentence her to a lifetime of sorrow. But now Ross has an even more urgent reason to stay away from Megan: the killer that he’d been hunting has turned the tables—and is now hunting him…

There is something especially horrifying about a series of murders Detective Vince Crowley is investigating. Not only are the bodies savagely disfigured, but a religious charm has been found with each victim, a charm Crowley traces to a black magic cult operating in the streets of New York City.

Architecture for a Free Subjectivity reformulates the French philosopher Gilles Deleuze's model of subjectivity for architecture, by surveying the prolific effects of architectural encounter, and the spaces that figure in them. For Deleuze and his Lacanian collaborator Félix Guattari, subjectivity does not refer to a person, but to the potential for and event of matter becoming subject, and the myriad ways for this to take place. By extension, this book theorizes architecture as a self-actuating or creative agency for the liberation of purely "impersonal effects." Imagine a chemical reaction, a riot in the banlieues, indeed a walk through a city. Simone Brott declares that the architectural object does not merely take part in the production of subjectivity, but that it constitutes its own. This book is to date the only attempt to develop Deleuze's philosophy of subjectivity in singularly architectural terms. Through a screening of modern and postmodern, American and European works, this provocative volume draws the reader into a close encounter with architectural interiors, film scenes, and other arrangements, while interrogating the discourses of subjectivity surrounding them, and the evacuation of the subject in the contemporary discussion. The impersonal effects of architecture radically changes the methodology, just as it reimagines architectural subjectivity for the twenty-first century.