"Miss du Maurier has brought to the art of the biography the narrative urgency which gives such animation to her storytelling." -New York Times Book Review Pursued by the twin demons of drink and madness, Branwell Bronte created a private world that was indeed infernal. As a bold and gifted child, his promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low. With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of Charlotte, Emily and Anne. This is the biography of the shadowy figure of the "unknown" Bronte.

Pursued by the twin demons of drink and madness, Branwell Bronte created a private world that was indeed infernal. As a bold and gifted child, his promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low. With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of Charlotte, Emily and Anne. This is the biography of the shadowy figure of the "unknown" Bronte.

"Daphne du Maurier has written a full-length portrait of the mysterious, elusive Branwell Brontë and of the infernal world of his inner torment which killed him at the age of thirty-one from excessive laudanum and alcohol. As a child, Branwell fed the willing imaginations of his sisters with the wild, fantastic stories of his mythical, self-invented kingdom of Angria. There is no question that he was a great influence on the writings of his sisters and that Emily drew heavily on her brother for her portrait of Heathcliff in Wuthering Heights..." -- Book jacket.

Excerpt from The Infernal World of Branwell Bront Haworth parsonage, and of the talented, short-lived family who dwelt within its walls, that every Bronte biography written since has been based upon it. A hundred years have gone by, the biography is still unsurpassed, but during the intervening time much has come to light about the early writings of the young Brontes, proving that from childhood and on through adolescence they lived a life of quite extraordinary fantasy, creating an imaginary world of their own, peopled with characters more real to them than the inhabitants of their father's parish. Charlotte Bronte's Jane Eyre, Emily Bronte's Wuthering Heights, Anne Bronte's The Tenants of Wildfell Hall were all famous novels and their authoresses dead when Mrs. Gaskell came to write about them. What she did not realise was that none of these novels would have come into being had not their creators lived, during childhood, in this fan tasy world, which was largely inspired and directed by their only brother, Patrick Branwell Bronte. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

“[A] meticulously researched debut novel…In a word? Juicy.” —O, The Oprah Magazine The scandalous historical love affair between Lydia Robinson and Branwell Brontë, brother to novelists Charlotte, Emily, and Anne, gives voice to the woman who allegedly brought down one of literature’s most famous families. Yorkshire, 1843: Lydia Robinson has tragically lost her precious young daughter and her mother within the same year. She returns to her bleak home, grief-stricken and unmoored. With her teenage daughters rebelling, her testy mother-in-law scrutinizing her every move, and her marriage grown cold, Lydia is restless and yearning for something more. All of that changes with the arrival of her son’s tutor, Branwell Brontë, brother of her daughters’ governess, Miss Anne Brontë and those other writerly sisters, Charlotte and Emily. Branwell has his own demons to contend with—including living up to the ideals of his intelligent family—but his presence is a breath of fresh air for Lydia. Handsome, passionate, and uninhibited by social conventions, he’s also twenty-five to her forty-three. A love of poetry, music, and theatre bring mistress and tutor together, and Branwell’s colorful tales of his sisters’ imaginative worlds form the backdrop for seduction. But their new passion comes with consequences. As Branwell’s inner turmoil rises to the surface, his behavior grows erratic, and whispers of their romantic relationship spout from Lydia’s servants’ lips, reaching all three Brontë sisters. Soon, it falls on Mrs. Robinson to save not just her reputation, but her way of life, before those clever girls reveal all her secrets in their novels. Unfortunately, she might be too late.

For readers of Michael Cunningham's The Hours and Madeline Miller's Song of Achilles, this genre-bending exploration of the tragic figure of Branwell Brontë and the dismal, dazzling landscape that inspired his sisters to greatness is now available in a new edition with an introduction by Darcey Steinke. Branwell Brontë--brother of Charlotte, Emily, and Anne—has a childhood marked by tragedy and the weight of expectations. After the early deaths of his mother and a beloved older sister, he is kept away from school and tutored at home by his father, a curate, who rests all his ambitions for his children on his only son. Branwell grows up isolated in his family’s parsonage on the moors, learning Latin and Greek, being trained in painting, and collaborating on endless stories and poems with his sisters. Yet while his sisters go on to write Wuthering Heights, Jane Eyre, and Agnes Grey, Branwell wanders from job to job, growing increasingly dependent on alcohol and opium and failing to become a great poet or artist. With rich, suggestive sentences “perfectly fitted to this famously imaginative, headstrong family” (Publishers Weekly), Branwell is a portrait of childhood dreams, thwarted desire, the confinements of gender—and an homage to the landscape and milieu that inspired some of the most revolutionary works of English literature.