Declared “a writer to watch” (Publishers Weekly, starred review), New York Times bestselling author María Dueñas pours heart and soul into this story of a woman who discovers the power of second chances. A talented college professor in Madrid, Blanca Perea seems to have it all. But her world is suddenly shattered when her husband of twenty years leaves her for another woman. Questioning the life she once had and whether she truly knows herself, Blanca resolves to change her surroundings. She accepts what looks like a boring research grant in California involving an exiled Spanish writer who died decades ago. Anxious to leave her own troubled life behind, she is gradually drawn into his haunted world, with its poignant loves and unfulfilled ambitions. But in delving into the past, Blanca finds herself simultaneously awakened to the present by Daniel Carter, a charismatic professor with crucial knowledge about the dead writer that he has never before revealed. Amid this web of passion, conflict, and hidden feelings, including her own, Blanca advances like an avid detective, refusing to quit, and ultimately discovers startling answers that resonate deeply in her own life. Evocative, lyrical, and humorous, The Heart Has Its Reasons is a journey of the soul from the pangs of the past to the vibrant present. It is a story about the thrill of creating one’s life anew.

The Duchess writes of her first two marriages, her divorce, her escape from the abdication publicity, and her marriage to Edward VIII.

This collection chronicles the fiction and non fiction classics by the greatest writers the world has ever known. The inclusion of both popular as well as overlooked pieces is pivotal to providing a broad and representative collection of classic works.

This book explores a hitherto neglected area of theological anthropology: the unity of human emotionality and rationality embodied in the biblical concept of the heart. While the theological contours of human reason have for long been clearly drawn and presented as the exclusive seat of the image of God, affectivity has been relegated to a secondary position. With the reintegration of the body into recent philosophical and theological discourses, a number of questions have arisen: if the image (also) resides in the body, how does this change one's view of the theological significance of human affectivity? In what way is our likeness to God realized in the whole of what we are? Can one overcome the traditional dissociation between intellect and affectivity by a renewed theory of love? In conversation with patristic and medieval authors (e.g., Irenaeus, Tertullian, Gregory of Nyssa, Maximus, Aquinas) and in dialogue with more recent interlocutors (Pascal, Ricoeur, Marion, Milbank, John Paul II), this work pursues a novel theological vision of the essential unity of our humanity.

Set in the first quarter of 20th century Delhi, The Heart Has Its Reasons dwells on the fine balance between love and family. Writer par excellence and recipient of the Katha Chudamani and Sahitya Akademi Awards, Sobti s powerful narratives defy territorial specifics.

Diana Mosley is the last intimate friend of the Duchess of Windsor still alive. In this revised and updated biography, she addresses the latest allegations of secret service reports about the Windsors' conduct during the war and the abdication. A new chapter has been added.